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Rh development of inner form of the Civilization was fulfilling itself with impressive consistency. Three stages are clearly to be distinguished — the release from the Culture, the production of the thoroughbred Civilization-form, and the final hardening. For us this development has now set in, and, as I see it, it is Germany that is destined, as the last nation of the West, to crown the mighty edifice. In this stage all questions of the life — the Apollinian, Magian, or Faustian life — have been thought upon to the limit, and brought to a final clear condition of knowledge and not-knowledge. For or about ideas men fight no more. The last idea — that of the Civilization itself — is formulated in outline, and technics and economics are, as problems, enunciated and prepared for handling. But this is only the beginning of a vast task; the postulates have to be unfolded and these forms applied to the whole existence of the earth. Only when this has been accomplished and the Civilization has become definitely established not only in shape, but in mass, does the hardening of the form set in. Style, in the Cultures, has been the rhythm of the process of self-implementing. But the Civilized style (if we may use the word at all) arises as the expression of the state of completeness. It attains — in Egypt and China especially — to a splendid perfection, and imparts this perfection to all the utterances of a life that is now inwardly unalterable, to its ceremonial and mien as to the superfine and studied forms of its art-practice. Of history, in the sense of an urge towards a form-ideal, there can now be no question, but there is an unfailing and easy superficial adaptiveness which again and again manages to coax fresh little art-problems and solutions out of the now basically stable language. Of this kind is the whole "history" of Chinese-Japanese painting (as we know it) and of Indian architecture. And just as the real history of the Gothic style differs from this pseudo-history, so the Knight of the Crusades differs from the Chinese Mandarin — the becoming state from the finished. The one is history; the other has long ago overcome history. "Long ago," I say; for the history of these Civilizations is merely apparent, like their great cities, which constantly change in face, but never become other than what they are. In these cities there is no Soul. They are land in petrified form.

What is it that perishes here? And what that survives? It is a mere incident that German peoples, under pressure from the Huns, take possession of the Roman landscape and so prevent the Classical from prolonging itself in a "Chinese" end-state. The movement of the "Sea-peoples" (similar to the Germanic, even down to the details) which set in against the Egyptian Civilization from 1400 B.C. succeeded only as regards the Cretan island-realm — their mighty expeditions against the Libyan and Phœnician coasts, with the accompaniment of Viking fleets, failed, as those of the Huns failed against China. And thus the Classical is our one example of a Civilization broken off in the moment of full splendour. Yet the Germans only destroyed the upper