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 of perpetual flowering. A life need not be cold, or devoid of grace in the worldly sense, if it were filled by Her who was all the graces; Virgin-daughter, Virgin-mother, girl of the people and Queen of Heaven: le rêve suprême de la chair. The nursery tale could not vie with Her in simplicity, the wisest theologians could not match Her in profundity.

Here in his own church in Santa Fé there was one of these nursery Virgins, a little wooden figure, very old and very dear to the people. De Vargas, when he recaptured the city for Spain two hundred years ago, had vowed a yearly procession in her honour, and it was still one of the most solemn events of the Christian year in Santa Fé. She was a little wooden figure, about three feet high, very stately in bearing, with a beautiful though rather severe Spanish face. She had a rich wardrobe; a chest full of robes and laces, and gold and silver diadems. The women loved to sew for her and the silversmiths to make her chains and brooches. Father Latour had delighted her wardrobe keepers when he told them he did not believe the Queen of England or the Empress of France had so many costumes. She was their doll and their queen, something to fondle and something to adore, as Mary’s Son must have been to Her.

These poor Mexicans, he reflected, were not the first to pour out their love in this simple fashion. Raphael and Titian had made costumes for Her in