Page:De Vinne, Invention of Printing (1876).djvu/482

472 should be made more cheaply, and in more convenient forms. With this end in view, they introduced the cheaper size of octavo, which was much handier than the unwieldy folio or quarto. The rubricated letters and lines were supplanted by initials and borders engraved on wood and printed with the types in black ink. The fashion of surrounding a text with notes, and of making notes and text in measures of different width and length on every page, was abandoned: the text was put at the top and the notes at the bottom. Signatures, catch-words, paging-figures, blank spaces between chapters, and the division of matter in paragraphs, were introduced. But the greatest innovation was in the letters themselves. When Nicholas Jenson introduced Roman types, and proved the superior legibility of light and simple lines, the popularity of the sombre Gothic in Southern Europe came to an end. The new fashions were adopted by many printers in Germany, but they were not approved by Schœffer, who resisted them till his death. In his judgment, the only model for a printed book was the Gothic manuscript copy, and he copied it as closely as he could, with all its imperfections.

This curt review of the works and workmanship of Peter Schœffer should be enough to show that his reputation as the father of letter-founders, and the inventor of matrices and the type-mould, is entirely undeserved. His types show that he had no skill as a letter-cutter or mechanic. It is not possible that a man who has shown such feeble evidences of mechanical ability could have been the first inventor of the matrices and the type-mould. While Gutenberg and Fust were living, Schœffer never made the claim that he was the inventor, or even a co-inventor, of printing. But when they were buried, he claimed that he was superior to both, and that he was really the first to enter the sanctuary of the art. In 1468, he