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424 of white space and of true relief which is not atoned for by the dabs of red in the rubrics, nor by the profuse wealth of ornamentation in the centre column and margins. The composition is noticeably irregular: the lines are not always of uniform length. When a word was divided, the hyphen was allowed to project and give to the right side of the column a ragged appearance. When there were too many letters for the line, words were abbreviated. The measure was narrow, and it was only through the liberal use of abbreviations that the spacing of words could be regulated. The period, colon and hyphen were the only points of punctuation.

The manuscript taken for copy was not strictly accurate, and the errors of the scribe were repeated by the compositor. The liberties taken by scribe and compositor in the making of abbreviations, and in the spelling out of abbreviations, were a prolific source of error. It was quite as much on account of the frequency of these errors, as the obsoleteness of the types, that this famous edition was so soon laid aside and was so quickly forgotten. It was supplanted by the editions of the more scholarly printers of the sixteenth century, who collated a great many manuscript and printed copies before they prepared a new copy for the printer.

It is unfortunate that Gutenberg did not, as was customary with the book-makers of that time, put his name and the date of printing on the book. The omission was partially supplied by an illuminator who suffixed the following colophons or subscriptions to his copy of the book:

As the second volume was illuminated nine days before the first volume, it may be supposed that, on this copy, the