Page:De Vinne, Invention of Printing (1876).djvu/406

396 Gutenberg may have begun his experiments in typography by the use of engraved types or punches of wood; Some authors will not admit that Gutenberg derived any benefit from xylography. Bernard treats block-printing as an art so paltry, that he refused to describe the block-books, or to admit that xylography had any noticeable influence, direct or indirect, on the invention of types. Van der Linde says that history knows nothing of Gutenberg as a xylographer—that there is no documentary evidence that he ever cut or printed a block. These disclaimers—obviously provoked by the absurd statements of other authors that Gutenberg invented xylography, that he printed with types of wood, that typography is the natural outgrowth of xylography—cannot be accepted without qualification. The fact remains that Gutenberg, his associates and pupils, were benefited by the highest technical skill of that time in all the processes of engraving in relief, in the compounding of inks, in the construction and use of presses, and in the manipulation of paper. Compared with the invention of the type-mould, these may seem trivial matters, but the success of Gutenberg's new ideas about printing depended upon his attention to every process that promised aid. It is not probable that the man who hired joiners and goldsmiths could have neglected to avail himself of whatever skill the block-printers possessed. The experience in printing acquired by the block-printers was far from contemptible, but the educating influences they had exerted over the book-buying public were of great importance. It was Gutenberg's discernment of the fact that the block-printers had created a demand for printed work which could never be satisfied by the method of xylography, which gave him the impulse to seek for a more scientific method. Block-printing, although in no sense the mother of typography, was its forerunner, and for that reason alone demands respectful consideration. but he must have soon discovered the defects and limitations of xylography and have reached the unalterable conclusion that useful types could be made of metal only.

There is no plausibility in the theory of Fischer, that the thing of four pieces was a form of four pages or columns of types of wood. Nor is there any evidence that Gutenberg had then done any practical work. The practice of printing in Dritzehen's house cannot be inferred from the presence of a press, for there is no notice of paper, printed sheets or books. It does not seem that there was a mystery about the press. It was not the press, but what was in it, concerning which the people were curious. It was the imperfectly described implement of four pieces which gave the partners anxiety.