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Rh An illustration on the last page of the book represents the Parable of the Ten Virgins, to which is added the legend, The Kingdom of Heaven is likened unto Ten Virgins. The five foolish virgins are sadly descending into the mouth of the monster that represents Hell. Another illustration represents the prophet Daniel interpreting the writing on the wall.

Hessel's free translation of a large portion of the preface is really needed to show the theological teachings of the book. This is the preface of the Spieghel onser behoudenisse, which will teach many people righteousness, and to shine as the stars in eternal eternities. It is for this reason that I have thought of compiling, as an instruction for many, this book, from which those who read it will give and receive instruction. I presume that nothing is in this life more useful to a man than to acknowledge his Creator, his condition, his own being. Scholars may learn this from the Scriptures, and the layman shall be taught by the books of the laymen, that is by the pictures. Wherefore I have thought fit, with the help of God, to compile this book for laymen to the glory of God, and as an instruction for the unlearned, in order that it may be a lesson both to clerks and to laymen. It will be sufficient to explain the matter briefly. I mean first to show the fall of Lucifer and the angels. Then the fall of our first parents and their posterity. Thereupon, how God delivered us by his assuming flesh, and with what figures he whilom prefigured this assuming. It is to be observed that many histories are given in this work, which could not be explained from word to word, for a teacher does not want to explain more of the histories than he thinks necessary for their meaning. And in order that this may be seen better and clearer, I give this parable. … There was an abbey, in which stood a large oak, which, on account of the narrowness and smallness of the town, they were compelled to cut down. When it was cut down, the workmen came together, and each of them chose whatever he thought would suit his trade. The smith cut off the undermost block, which he thought suitable for a forge; the shoemaker took the bark for making leather; the swineherd, the acorns for feeding pigs; the carpenter, the straight wood for a roof; the shipwright, the crooked wood; the miller digs the roots up, as they are fit, on account of their solidity, for the mill; the baker uses the thin twigs for his oven; the sexton of the church, the leaves for decorating the church at festivals; the butler, the branches for barrels and mugs; the cook, the chips for the kitchen. … Just now, as here every one chose his liking from the hewn tree, so they do with Holy Writ. The same method has been followed regarding the histories which will be explained. Every teacher collects from them what he thinks proper and useful. I shall follow the same way with regard to this work, leaving out altogether some part of the histories, that it may not offend those who will hear and read it. Let us also observe that Holy Writ is like soft wax, which assumes the shape of all forms impressed upon it. Does, for instance, the stamp contain a lion? the soft wax will contain the same; and if it bears an ear, the soft wax will bear the same figure. So one thing signifies, sometimes the Devil, and sometimes Christ. However, we ought not to be astonished at this manner of the Scriptures, for divers significations may be ascribed to the divers performances of a thing or a person. When David, the king, committed both adultery and