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 Excepting her early tale, "The Professor," which has been given to the public since her death, Charlotte wrote but one other novel—"Villette." This work, of which the scene is laid in Belgium, is regarded by many as her best. Its incidents are less thrilling than those of "Jane Eyre," its style less fiery. Nevertheless it is not lacking in passion; and if Lucy Snowe attracts us less than Jane, who would exchange Monsieur Paul Emanuel—imperious, whimsical, extravagant, and thoroughly natural—for such an impossible hero as Rochester? Ginevra Fanshawe, too, and Madame Beck, are characters more true and striking than any to be found in "Jane Eyre."

The public, after the publication of "Jane Eyre," became deeply interested in discovering the identity of Currer Bell, and in discussing the question of her sex. Nor was the riddle soon solved. Miss Martineau, who was one of the earliest to know the truth, gives an interesting account of the beginning of her acquaintance with the unknown, yet famous author. She received one day, while residing in London, a parcel accompanied by a note. Ths [sic] parcel contained a copy of "Shirley," then just published, and the note ran as follows:

"Currer Bell offers a copy of 'Shirley' to Miss Martineau's acceptance, in acknowledgment of the pleasure and profit she (sic) he has derived from her works. When C. B. first read 'Deerbrook' he tasted a new and keen pleasure, and experienced a genuine benefit. In his mind, 'Deerbrook' ranks with the writings that have really done him good, added to his stock of ideas, and rectified his views of life."

This masculine note did not, in Miss Martineau's eyes, determine the sex of the writer. The half-erased "she" in it, might, to be sure, have had reference to Miss Martineau herself, and the form of the sentence might have been subsequently altered. Still, it left everything uncer-