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 312 CHARLOTTE CUSHMAN. sprang in and helped her out. Her deliverer kept on his way, and she never knew who he was until, many years later, when she was a celebrated actress, a respectable old gentleman called upon her and told her that he was the person, and how honored and delighted he was in having been the means of preserving so valuable a life. Two things may be said of all true artists. One is, that the germ of their talent can be discovered in one or more of their ancestors. Another is, that their gift mani- fests itself in very early childhood. More than one of her ancestors had wonderful powers of mimicry, as well as well as a happy talent for reading and declamation. One of her grandmothers possessed these gifts. While she was still a little girl Charlotte had a remarkable power of mimicry. Besides catching up a tune after once hear- ing it, she unconsciously imitated the tones, gestures, and expression of people she met ; and this talent she pre- served to the end of her life, greatly to the amusement of her friends. She was one of those people who can imitate the drawing of a cork, and give a lively representation with the mouth, of a hen chased about a barn-yard, and being finally caught. She could imitate all brogues and all kinds of voices. Born in Puritanic Boston, we should scarcely expect to find such a talent as this nourished and cultivated from her youth up. But so it was. From her mother she learned to sing all the songs of the day, and she learned to sing them with taste and expression. In those days almost every one sang a song or two, and a most delight- ful accomplishment it is. If ever I should found an academy I would have in it a teacher of song-singing. Miss Cushman was so lucky, too, as to have a good uncle — a sea captain — who used to take her to places of amuse- ment, and with him she saw her first play, Coriolanus, with Macready in the principal part. She saw many of