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 always tenderly considerate of 'the little wench,' as he called her. But his daughter preferred taking the whole management of the place into her own hands, and she was as conscientious and diligent in the discharge of her domestic duties as in the prosecution of the studies she carried on at the same time. One of her chief beauties was in her large, finely shaped, feminine hands—hands which she has, indeed, described as characteristic of several of her heroines; but she once pointed out to a friend at Foleshill that one of them was broader across than the other, saying, with some pride, that it was due to the quantity of butter and cheese she had made during her housekeeping days at Griff."

Her appearance at this time is thus described:

"She had a quantity of soft pale-brown hair, worn in ringlets. Her head was massive, her features powerful and rugged, her mouth large, but shapely, the jaw singularly square for a woman, yet having a certain delicacy of outline. A neutral tone of coloring did not help to relieve this general heaviness of structure, the complexion being pale, but not fair. Nevertheless, the play of expression and the wonderful mobility of the mouth, which increased with age, gave a womanly softness to the countenance in curious contrast with its framework. Her eyes, of a gray blue, constantly varying in color, striking some as intensely blue, others as of a pale, washed out gray, were small and not beautiful in themselves, but, when she grew animated in conversation, those eyes lit up the whole face, seeming in a manner to transfigure it. So much was this the case that a young lady, who had once enjoyed an hour's conversation with her, came away under its spell with the impression that she was beautiful, but afterward, on seeing George Eliot again when she was not talking, she could hardly believe her to be the same person. The charm of her nature dis-