Page:Dasarupa (Haas 1912).djvu/55

–1. 15] ‘Pantomime (nṛtya), which is based on the [emotional] States, is quite another thing.’

13 (P. 9 a2; H. 9 a2). ‘Dancing (nṛtta), being based on rhythm and time, [is also different].’
 * nṛttaṃ tālalayāśrayam.

14 (P. 9 b; H. 9 b). ‘The former, a representation of an object, [is called] “high style” (mārgo); the latter, “popular style” (deśī).’
 * ādyam padārthābhinayo mārgo deśī tathā param.

15 (P. 10; H. 10). lāsyatāṇḍavarūpeṇa nāṭakādyupakārakam. ‘Each of these two is again twofold, through the division into gentle and vehement; and they are auxiliary to the Nāṭaka and the other [varieties of drama] because of the exhibition of the gentle dance (lāsya) and the wild dance (tāṇḍava).’
 * madhuroddhatabhedena tad dvayaṃ dvividham punaḥ