Page:Dasarupa (Haas 1912).djvu/54

4 9 (P. 7 b1; H. 7 b1). ‘It [is called] Representation (rūpaka) because of the assumption [of parts by actors].’
 * rūpakaṃ tat samāropād.

10 (P. 7 b2; H. 7 b2). ‘It is tenfold, and is based on the Sentiments.’
 * daśadhaiva rasāśrayam.

11 (P. 8; H. 8). vyāyogasamavakārau vīthyaṅkehāmṛgā iti. ‘[The ten chief varieties of drama are]: the Nāṭaka, the Prakaraṇa, the Bhāṇa, the Prahasana, the Ḍima, the Vyāyoga, the Samavakāra, the Vīthī, the Aṅka (=Utsṛṣṭikāṅka), and the Ihāmṛga.’
 * nāṭakaṃ saprakaraṇam bhāṇaḥ prahasanaṃ ḍimaḥ

12 (P. 9 a1; H. 9 a1).
 * anyad bhāvāśrayaṃ nṛtyaṃ.