Page:Dasarupa (Haas 1912).djvu/52

2 3 (P. 3; H. 3). ghaṭayati kam api tam anyo vrajati jano yena vaidagdhīm. ‘Sarasvatī through her favor furnishes to any intelligent man at any time that subject, whatever it be (kam api), by which somebody else becomes cultured.’
 * kasya cid eva kadā cid dayayā viṣayaṃ Sarasvatī viduṣaḥ

4 (P. 4; H. 4). ‘Who, pray, is able to make a new detailed nomenclature (pratipadaṃ lakṣma) of dramatic science, which Viriñci [i. e. Brahma] created after repeatedly extracting the essence from the entire sacred writ—[that dramatic science] of which Bharata, though a seer, gave an exhibition, Nīlakaṇṭha [i. e. Śiva] performing the wild dance (tāṇḍava) and Śarvāṇī [i. e. Pārvatī] performing the gentle dance (lāsya)? Yet I shall give concisely, in orderly arrangement, some sort of description of dramatic representations.’
 * uddhṛtyoddhṛtya sāraṃyam akhilanigamān nāṭyavedaṃ Viriñciś cakre yasya prayogammunir api Bharatas tāṇḍavaṃ Nīlakaṇṭhaḥ Śarvāṇī lāsyam asyapratipadam aparaṃ lakṣma kaḥ kartum īṣṭe nāṭyānāṃ kiṃ tu kiṃ citpraguṇaracanayā lakṣaṇaṃ saṃkṣipāmi.