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 naturally obtrudes itself, when Dürer's portraits are the subject of discussion.

In the Wallace collection is a most delightful little miniature portrait of Holbein, by his own hand. Compare the two heads. What a difference! Holbein the craftsman par excellence; the man to whom drawing came as easily as seeing comes to us. With shrewd, cold, weighing eyes he sizes himself up in the mirror. He, too, is a man of knowledge; he does his work faithfully and exceedingly well, but leaves it there. He never moralises, draws no conclusions, infers nothing, states merely facts—and if the truth must be said, is the greater craftsman.

Dürer's mind was deeper; one might say the springs of his talent welling upwards had to break through strata of cross-lying thought, reaching his hand after much tribulation, and teaching it to set down all he knew.