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 human truth, such as we find in Rembrandt's religious works. It is a ceremonial picture, only the ceremony is full, not empty; full of conviction, reverence, and faith! Such pictures are rare amongst Italians—in spite of all their sense of beauty; more frequent amongst the transalpine peoples, but never built in so much harmony. Unfortunately it has suffered, and is no longer in its pristine condition; it were fruitless therefore to discuss the merits of its colour.

Mindful of my intention only to pick up a jewel here and there, I will not weary the reader with the enumeration of his altarpieces, Nativities, Entombments, Piétàs and Madonnas. I can do this with an easy mind, because in my opinion (and you, reader, have contracted by purchase to accept my guidance) his religious paintings are of historical rather than Art interest.

The "Adams and Eves" of the Uffisi