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 gave his world the outlines of Belief. In his pictures the illiterate saw, as by revelation, that which they could not read, and the literate, the literati—Erasmus, Pirkheimer, Melanchthon amongst the most prominent— saw the excellence of the manner of his revelations.

I cannot think of any better way of explaining the effect of Dürer's Art as an illustrator upon his time, than to beg you to imagine the delight a short-sighted man experiences when he is given his first pair of spectacles. Everything remains where it is; he has not lost his sense of orientation, but on a sudden he sees everything more clearly, more defined, more in detail: and where he previously had only recognised vague effects he begins to see their causes. Such was the effect of Dürer's Art: features, arms, hands, bodies, legs, feet, draperies, accessories, tree-trunks and foliage, vistas, radiance and light, not sug-