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 laud it beyond measure. The green tree is the tree to water; the dead tree—be its black branches and sere leaves never so picturesque—is beyond the need of your attentions.

The Scylla and Charybdis of æsthetic reformers is praise of the old, and poor appraising of the new.

Now the old Italians thought Dürer a most admirable artist, blamed what they called the defects of his Art on the ungainliness of his models, and felt convinced that he might have easily been the first among the Italians had he lived there, instead of the first among the "Flemings." They were of course wrong, for it is the individual reflex-action of Dürer's brain which caused his Art to be what it is; in Italy it would still have been an individual reflex-action, and Dürer had been in Venice without the desired effect. Dürer might, however, himself seem to confirm the Italians'