Page:Cyclopedia of painters and paintings - Volume I.djvu/482

 Ford, Arquebusier (1875); Interior of Stable (1877); Citizen Chief of a Demi-Brigade (1878); Incident of Aug. 6, 1870, Souvenir of Italy in 1860 (1879); Incident of Battle of Rivoli (1882); Regiment passing through Forest (1883); An Information (1884).

DUVEAU, LOUIS JEAN NOOL, born at St. Malo (Ille-et-Vilaine), Dec. 25, 1818, died in Paris, May 26, 1867. Genre painter, pupil of Cogniet. Medals: 3d class, 1846; 2d class, 1848; medal, 1864. Works: Day after Storm in Brittany (1846); Breton Emigrants stopped by Republicans (1848); Abdication of Doge Foscari (1850); Wrecked Fishermen (1852); Death of Agrippina (1853); The Vacant Cradle (1855); Return of the Pardon of St. Anne (1859); Death of Claudius (1863), Mass at Sea (1864), Rennes Museum.—Bellier de la Chavignerie, i. 507.

DUVENECK, FRANK, born at Covington, Ky., Oct. 9, 1848. Figure painter, pupil of Diez and of the Munich schools for ten years. Studio in Venice. Works: A Circassian (1875); portrait of Chas. Dudley Warner, Turkish Page (1877); Coming Man, Interior of St. Mark's—Venice, Italian Girl, The Professor (1878); Portrait (1879); Head of Young Man (M. Brimmer, Boston).—Am. Art Review (1881), 3.

DUVERGER, THÉOPHILE EMMANUEL, born at Bordeaux, Sept. 17, 1821. Genre painter. Medals: 3d class, 1861, 1863; medal, 1865. Works: Insanity of Charles VI. (1848); Said in Jest (1853); Tears at the Fireside (1855); The Visit, Party at Grandmother's (1857); Nurse's Visit, Washerwoman (1859); Grandfather's Platter, Waiting, Charitable Ladies (1861); Last Sacraments, Gypsies (1863); Hide-and-Seek, Reticence (1864); Paralytic, Labourer and his Children (1865), Luxembourg Museum; Penitent Girl (1866); Confirmation in Church of Villiers-le-Bel (1867); Empty Cradle, First Frolic (1868); Maternal Solicitude, Filial Care (1869); Vice and Misery, Labour and Happiness (1870); The Whippersnappers (1872); Silence (1873); When the Cat is away the Mice will Play (1874); Returning from Market (1875); Too Much Gratitude (1876); Grandmother's Party, Orphans (1879); In Reserve, Clown (1880); Poacher, Before Mass (1881); Little Bears (1882); Whoever Seeks shall Find (1883); Market Scene, The Dolls (1884); The Nest, In Receipt (1885).

DUYSTER (Duster), W. C. Dutch school; genre painter; in his best works approaching Pieter Codde. Works: Brawl between Soldiers, Dresden Gallery; Game of Trictrac, Hermitage, St. Petersburg; Brawl in a Barn, Stockholm Museum.—Bode, Studien, 161.

DYCE, WILLIAM, born at Aberdeen in 1806, died at Streatham, Feb. 15, 1864. Son of a physician and graduate of Marischal College; in 1823 entered schools of Royal Scottish Academy, and afterwards studied in Rome and Florence. In 1827 exhibited at Royal Academy his Bacchus nursed by the Nymphs. After his second visit to Italy, settled in Edinburgh in 1830, and won success as a painter of portraits and historical subjects. In 1836 his Descent of Venus attracted much notice; he removed to London in 1844, and in the same year was elected an A.R.A., and in 1848 R.A. In 1848 he was chosen to decorate the Queen's Robing-Room in the Houses of Parliament, and began, but did not finish, a series of frescos illustrating the legend of King Arthur. He also executed a series of frescos in All Saints, Margaret Street, Cavendish Square. He was a well-trained musician and a scholarly writer on art and scientific subjects. Among his other easel pictures are: King Joash shooting the Arrow of Deliverance (1844); Jacob and Rachel (1853); St. John leading Home the Virgin (1860); and George Herbert of Bemerton (1861).—Redgrave; Art Journal (1860), 293; Frescos in Houses of Parliament (8vo, London), from Br. Quarterly, July, 1864; Sandby, ii. 183.

DYCK, HERMANN, born in Würzburg, Oct. 4, 1812, died in Munich, March 25, 1874. Architecture and genre painter; studied