Page:Cyclopedia of painters and paintings - Volume I.djvu/450

 Reclaimed, Tessa (1884); Young Gamblers (1885). Water colour: Old Time Favourites (1883).

DIELMAN, PETRUS EMANUEL, born in Ghent, July 29, 1800. History, genre, and portrait painter, pupil of Ghent Academy; then studied in France and Italy the works of the old masters, visited Switzerland, returned in 1831 and became in 1841 director of the art school at Herzogenbusch. Works: Jupiter and Leda; Elopement of Psyche; Scenes from Life of St. Augustine (Church of Anglican Ladies, Bruges); Fish-Market at Ghent; Return of Scheveningen Fishermen; Fisherman's Family; portrait of Pope Gregory XVI.—Immerzeel, i. 182.

DIELMANN, JAKOB FRIEDRICH, born at Sachsenhausen, near Frankfort, in 1809, died at Kronberg, in the Taunus, May 30, 1885. Genre painter, pupil of the Städel Institute under Prestel, and in 1835-42 of the Düsseldorf Academy; settled in Frankfort, afterwards at Kronberg, and painted chiefly idyllic scenes from country life, in which the landscape is always prominent. Works: Farm-House (1835), National Gallery, Berlin; Hessian Village Smithy; Grandmother and Grandchildren; Parson with Children; Village Barber; Kirmess; Procession; Children at Church-Door; Peasant Girl in Doorway; Smith with Wooden Leg; Farm-House on the Ahr; Vintage at Sachsenhausen.—Brockhaus, v. 325; Kunst-Chronik, xx. 589; Wolfg. Müller, Düsseldf. K., 248; Wiegmann, 296.

DIEPENBEECK, ABRAHAM VAN, born at Bois-le-Duc, baptized May 9, 1596, died in Antwerp in 1675. Flemish school; history and portrait painter, pupil of Rubens; was at first a glass painter; travelled in Italy, and in reign of Charles I. was in England, where he was employed by Duke of Newcastle in making designs for his book on Horsemanship. Went to Antwerp about 1629, admitted to guild in 1638, director of Academy in 1641. Works: St. Norbert, Antwerp Cathedral; Virgin with St. Ely, Church of Carmelites, Antwerp; Ecstasy of St. Bonaventura, Antwerp Museum; St. Francis adoring Sacrament, Brussels Museum; Entombment, Children's Bacchanale, Brunswick Museum; Neptune and Amphitrite, Dresden Gallery; Marriage of St. Catherine, Flight of Clœlia, Berlin Museum; Allegory of Mortality, Pietà, Vienna Museum; Abraham and Angels, Feeding the Poor (1629), Old Pinakothek, Munich; portrait of Young Man (1665), do. of Young Woman, Städel Gallery, Frankfort; Flight of Clœlia, portraits of Man and Woman, Louvre, Paris; Rape of Ganymede, Bordeaux Museum. Others in Stockholm and Chatsworth Galleries.—Biog. nat. de Belgique, vi. 48; Ch. Blanc, École flamande; Cat. du Musée d'Anvers (1874); Michiels, viii. 138; Rooses (Reber), 324; Van der Branden, 777.

DIEPRAAM, ABRAHAM, flourished at Dordrecht, 1648-74, said to have died at Rotterdam. Dutch school; genre painter, pupil of the glass painter Willem Jansz van der Stoop, then in Rotterdam of H. M. Sorgh and, after having travelled in France, of Adriaen Brouwer, to whom his pictures are sometimes attributed. Was member of the guild at Dordrecht in 1648, and still living in 1674. Work: The Breakfast (1665), Berlin Museum.—Quellenschriften, xiv. 390.

DIERICK DE LOUVAIN. See Bouts, Dierick.

DIES, ALBERT CHRISTOPH, born in Hanover, in 1755, died in Vienna, Dec. 28, 1822. Landscape painter; instructed by an obscure painter, but mostly self-taught; went in 1775 to Mannheim, Basle, and Rome, where he studied and copied for three years, and remained until 1796, visiting Naples twice. In 1796 he settled in Salzburg, and