Page:Cyclopedia of painters and paintings - Volume I.djvu/399

 St. John Evangelist, and the Magdalen. Painted in 1562-3. Much injured and repainted.—C. & C., Titian, ii. 328.

Subject treated also by Vincenzo Foppa the elder, Bergamo Gallery; Jacopo degli Avanzii, Palazzo Colonna, Rome, Bologna Gallery; Albrecht Altdorfer, Augsburg Gallery, Nuremberg Gallery; Hans Holbein, the elder, Augsburg Gallery; Pietro Perugino, Villa Albani, Rome; Albrecht Dürer, Dresden Gallery; Francesco Francia, Bologna Gallery, Louvre; Francesco Bonsignori, Verona Gallery; Luca Signorelli, Florence Academy; Alesso Baldovinetti, Florence Academy; Filippo Lippi, Städel Institute, Frankfort; Alonso Cano, Academy of S. Fernando, Madrid; Giacomo Cavedone, Galleria Estense, Modena; Pierre Subleyras, Brera, Milan; Bernardo Gatti, Naples Museum; Rubens, Munich Gallery; Cornelis Engelbrechtsen, Munich Gallery; Master of Lyversburg Passion, Museum Wallraf-Richartz, Cologne; Lucas Cranach, Munich Gallery; Leandro Bassano, Berlin Museum; Sacchi di Pavia, Berlin Museum; Michael Wohlgemuth, Munich Gallery, Nuremberg Gallery; Goya y Lucientes, Madrid Museum; Andrea da Solario, Louvre; Martin van Heemskerck, Hermitage, St. Petersburg; Marten de Vos, Uffizi, Florence, Antwerp Museum; Garofolo, Brera, Milan; Gabriel Max, Mr. Lehmann, Prague; and many others.

CRUIKSHANK, GEORGE, born in London, Sept. 27, 1792, died there, Feb. 1, 1878. Genre painter and illustrator, son and pupil of Isaac C., caricaturist (1756-1811); began as a book illustrator and etcher, designing many illustrations for Egan's Life in London, Grimm's Fairy Tales, Dickens's earlier works, and numerous periodicals. Also published several series of prints, such as Points of Humour, Morning in Bow Street, The Bottle, Sunday in London, etc. In his later years he exhibited works in oil at the British Institute and the Royal Academy, among them being Tam O'Shanter, Titania and Bottom, Cinderella, and the Worship of Bacchus (H. 7 ft. 8 in. × 13 ft. 3 in.), the last a composition of several hundred small figures, now in the National Gallery. Robert Isaac C. (died 1856), designer in water colours, was his brother.—Cat. Nat. Gal.; Redgrave; C. Carr, Essays, 223; Portfolio (1872), 77.

CRUSADERS BEFORE JERUSALEM, Wilhelm von Kaulbach, New Museum, Berlin; mural painting, staircase. On a hill before Jerusalem, which is seen in background, a group of soldiers, bishops and priests; on second hill, to right, Godfrey de Bouillon holding up a crown before army of Crusaders, among whom are seen Bohemond and Tancred; above, in clouds, Christ and the Virgin, with martyrs; in foreground, Peter of Amiens praying; behind him, penitents, minstrels, etc.

CTESICLES, painter, of Asia Minor, about 300 Failing to gain the favour of Queen Stratonice, he revenged himself by painting her with a fisherman, her reputed lover, put the picture on exhibition in Ephesus and made his escape by sea. But the Queen considered the likenesses so excellent that she forbade the removal of the painting.—Pliny, xxxv. 40 [140].

CTESIDEMUS, Greek painter, master of Antiphilus, about 376 Pliny mentions among his works the Capture of Œchalia and Laodamia.—Pliny, xxxv. 40 [138].

CTESILOCHUS, Greek painter, pupil of Apelles, famous for a burlesque picture of the birth of Dionysus from the thigh of Zeus.—Pliny, xxxv. 40. Perhaps identical with Ctesiochus, brother of Apelles, mentioned by Suidas (Apelles, V.).

CUEVAS, PEDRO DE LAS, born in Madrid in 1568, died there in 1635. Spanish school; a mediocre painter, best known through the fame of his scholars, among whom were Juan Carreño, Antonio Pareda, Jose Leonardo, and Francisco Camilo. His son Eugenio, another pupil, was a painter of no great merit. Pedro is said to have died of grief because he was not appointed painter to the King on the death of Gonzales.—Stirling, i. 435.