Page:Cyclopedia of painters and paintings - Volume I.djvu/355

 the Greenwood Tree (1860); Summer's Golden Crown (1866); Floating down to Camelot (1869); Evening Rest; Sunshine Showers (1870); Autumn Gold (1871); Summer Rain (1873); Misty Morning, Heart of Surrey (1874); Richmond, Loch Scavaig (1875); Day's Decline (1876); Arundel, Summer Showers (1877); Surrey Pastoral (1878); Autumn Leaves, Ripening Sunbeams (1879); August Days, Streatley on Thames, Wargrave (1881); Sources of the Thames (1882); Windsor, Autumn Morning (1883); Sinodun Hill (1885).—Meynell, 33.

COLEMAN, CHARLES CARYLL, born at Buffalo, N. Y., in 1840. Figure and still-life painter; went to Europe in 1859 and again in 1866, since which has not returned to America. Exhibits in New York, London, Paris, and Rome. An A.N.A. of New York and member of the London Art Club. Studio in London in 1883. Works: Troubadour, Young Monk, Nuremberg Towers (1876); Bronze Horses of St. Mark's—Venice (1877), Lady Ashburton; Decorative Panel (1878); Interior of Chapel adjoining Sala del Cambia—Perugia; Venice—Ancient and Modern (1880); Remote Quarter of Paris in 1878 (1881).

COLIN, ALEXANDRE (MARIE), born in Paris, Dec. 31, 1798, died there, Nov. 23, 1875. Genre painter, pupil of Girodet-Trioson; director several years of School of Design in Nîmes. Medals: 2d class, 1824 and 1831; 1st class, 1840; L. of Honour, 1873. Works: French Fish-market (1832), National Gallery, Berlin; Scene in Otaheite, Street of Calcutta (1841); Flanders Fisher-*women (1842); Christopher Columbus (1846), Masaniello (1848); Christ on the Cross (1850), bought by State; Michelangelo watching at his Servant's Bedside (1855); Scene in the Roman Campagna, Columbus's first Arrival in Spain (1857); Nymphs Bathing, Breton Peasant (1859); Reception of Columbus by Ferdinand and Isabella at Barcelona, Lorenzo de' Medici and Michelangelo, Public Reader on Mole of Naples, Encounter in the Desert, Moorish Interior (1861); Mater Dolorosa, Death of Gessler, Suburb of Isel at St. Omer (1863); Flanders Fishermen, Fisherman at Foot of a Cliff (1864); Christ in Garden of Olives, Gypsies Halting (1865); King Candaules, Satyr and Bacchante (1866); Joy of the Hearth, Who giveth to the Poor lendeth to the Lord (1868); Little Sister (1869); Hurricane on Borders of Sea (1870); Drama of the Sea (1873); Before Marriage (1874).—Montrosier, Artistes modernes.

COLIN, PAUL, born at Nîmes in 1838. Landscape painter; son and pupil of Alexandre Colin and pupil of J. P. Laurens. Medal, 3d class, 1875; L. of Honour, 1883, Works: Farm of Groult, Little Marauders (1875); Moat of Hogue, Plateau of Criquebœuf (1876); Road of Yport (1877); Two Views at Valmont (1879); Valley of Yport (1880); Street in Toledo (1881); Pool of Criquebœuf (1882); Pool of Guéville, Apple-*yard at Loysel (1883); Farm Stable, Ducks (1884); Mare aux Pigeons (1885).

COLLANTES, FRANCISCO, born in Madrid in 1599, died there in 1656. Spanish school; pupil of Vincenzo Carducci; best known as a landscape painter, though he painted also figures, animals, and fruit and flowers. Works: Vision of Ezekiel, Burning of Troy, St. William of Aquitaine, two landscapes, Madrid Museum; Burning Bush, Louvre; Landscape, Munich Gallery; St. John Baptist, Hermitage, St. Petersburg.—Viardot, 267; Ch. Blanc, École espagnole; Madrazo, 392.