Page:Cyclopedia of painters and paintings - Volume I.djvu/286

 CARLOS, DON, brother of Philip IV., portrait, Velasquez, Madrid Museum; canvas, H. 6 ft. 7 in. × 4 ft. 1 in. About twenty years old, full-length, standing, black dress. Painted about 1627, first manner. Etched by J. J. Martinez de Espinosa; Guérard.—Curtis, 60; Madrazo, 614.

CARLSEN, EMIL, born in Denmark in 1848. Went to America in 1872, and studied in Boston, where he has since lived. Works: Still Life (T. B. Clarke, New York.)

CARLUCCIO DELLE MADONNE. See Maratti, Carlo.

CARMANIDES. See Charmantides.

CARMIENCKE, HERMANN, born in Hamburg, Sept. 2, 1810, died in Brooklyn, N. Y., June 15, 1867. Landscape painter and engraver; pupil of Dahl in Dresden, and from 1834 at the Copenhagen Academy. In 1837 was again in Dresden and Leipsic; returned to Copenhagen in 1838, visited Sweden in 1841, Munich and Tyrol in 1842, and Italy in 1845-1846. Was court painter to Christian VIII., until after the German-Danish war of 1848. Emigrated to New York in 1851 and became one of the founders of the Brooklyn Academy. Works: Lake among High Mountains, Ziller Valley in Tyrol.—Andresen, iv. 46.

CARNOVALE, FRA, flourished about 1456. Umbrian school; real name Bartolommeo di Giovanni di Bartolo Corradini; entered the Dominican Order, and in 1461-88 was curate of S. Cassiano of Cavallino, near Urbino. A Madonna with Saints and Angels, in the Brera, Milan, is attributed to him. It is in the style of Piero della Francesca, and if it be the work of Fra Carnovale, he was probably a pupil of that master. Vasari makes Fra Carnovale the master of Bramante. Other works: St. Michael and the Dragon, National Gallery, London; Madonna and Angels, S. M. delle Grazie, Sinigaglia.—C. & C., Italy, ii. 553; Vasari, ed. Mil., iv. 147.

CAR[)O]LUS, LUDOVICUS ANTONIUS, born in Antwerp, Dec. 25, 1814. Genre painter; pupil of Eeckhout and of F. de Braekeleer, and in Paris (1831-34), under E. le Poitevin; settled in 1836 in Antwerp, where he acquired reputation. Works: Presentation, Music, Visit at the Studio.—Nagler, Mon., iv. 325.

CAROLUS-DURAN (CHARLES AUGUSTE ÉMILE DURAND), called, born at Lille, July 4, 1837. French school; genre and portrait painter; pupil of Souchon; went to Paris, where he won a prize and a pension founded by Wicar for his fellow-citizens of Lille, and went to Italy, afterwards to Spain. His work shows traces of the influence of both countries. Lately he has painted portraits, especially female, with great success. Is also a sculptor. Medals in 1866, 1869, and 1870; 2d class in 1878; medal of honour, 1879; L. of Honour, 1872; Officer, 1878. Works: Evening Prayer (1865); The Murdered Man (1866), Lille Museum; St. Francis of Assisi (1868); Dame au Gant (1869), Luxembourg Museum; portraits only during the next ten years, of which one of the most noted is Mlle. Croizette; Gloria Mariæ Médicis (1878, ceiling in the Luxembourg); Child on the Banks of the Tagus (1868); portraits in 1879, 1880, 1881; A Future Doge (1881); A Burial (1882); A Vision (1883).—Larousse; Montrosier.

CAROTO (Carotto), GIOVAN FRANCESCO, born in Verona in 1470, died there in 1546. Lombard school; pupil in Verona of Liberale, and in Mantua of Mantegna, of whom he is said to have been so perfect an imitator that his works passed as those of his master. On his return to