Page:Cyclopedia of painters and paintings - Volume I.djvu/282

 he was forced to leave Bologna. After studying the works of the great masters in Rome he returned to Bologna and opened a school in opposition to Guido. Humiliated at his want of success in painting a portrait of the Duke of Mantua, he went to Verona, and died there, some say of poison. Baldinucci calls him another Guido, but though he copied Guido with great success, he had little originality. He was an able engraver. Works: Repose in Egypt (2), Louvre; Miracle of St. Peter, S. Pietro, Fano; Assumption, Bologna Gallery; Holy Family, Transfiguration, Brera, Milan; Holy Family, Madrid Museum; Joseph and Potiphar's Wife, Dresden Gallery; Holy Family, Repose in Egypt, Hermitage, St. Petersburg.—Malvasia, ii. 373; Lanzi, iii. 103; Ch. Blanc, École bolonaise; Seguier, 37.

CANTERBURY PILGRIMS, Thomas Stothard, National Gallery, London; wood, H. 1 ft. 1/2 in. × 3 ft. 1/2 in. A cavalcade of numerous figures, all on horseback and riding from right to left, illustrating the persons described in the prologue to Chaucer's "Canterbury Tales." Purchased at Leigh Court sale (1884). Engraved by the brothers Schiavonetti and James Heath, 1817.

CAPANNA, PUCCIO, middle of 14th century. Florentine school; disciple of Giotto, according to Vasari, who says he was a good painter; but the works assigned to him differ much in style, and are all inferior. Puccio was admitted to the Florentine painters' guild in 1350. Among the works ascribed to him are frescos in S. Francisco, Assisi, S. Maria Novella and S. Trinità, Florence, and in the Hall of the Capitolo, S. Francesco al Prato, Pistoja, and pictures in S. M. Novella and S. Trinità, Florence.—C. & C., Italy, i. 376; Vasari, ed. Mil., i. 394; Baldinucci, i. 234.

CAPDEVIELLE, LOUIS, born at Lourdes (Hautes-Pyrénées); contemporary. History and portrait painter, pupil of A. Millet, Bonnat, and Cabanel. Medal, 3d class, 1882. Works: Knife Grinder, First Prize (1876); Pork Scalder (1877); Portraits (1878, 1879); Workshop of Seamstresses (1880); Wedding at Laruns, End of Nana (1882); Land-slip in a Quarry, Study of Nude Woman (1884); Gratuitous and obligatory Instruction, A Model (1885).

CAPELLE, JAN VAN DER, born in Amsterdam, the freedom of which city he received in 1653. Dutch school; marine painter, pupil of Albert Cuyp. Painted quiet seas under warm and bright skies. Works: River with Ships, Amsterdam Museum; Fishing Boats, Rotterdam Museum; Mouth of the Scheldt with numerous vessels, Aremberg Gallery, Brussels; Marine, Berlin Museum; Strand with Ships, Vienna Museum; Calm at Low Water, National Gallery, London; pictures in the collections of Messrs. Munro, Baring, and of the Duke of Bedford and Lord Overstone.—Kugler (Crowe), ii. 501; Ch. Blanc, École hollandaise.

CAPORALI, GIOVANNI BATTISTA, born in Perugia about 1476, died there about 1560. Umbrian school; son of Bartolommeo Caporali, an inferior painter of Perugia (1472-1521); commonly called Bitte or Bitti, an abbreviation of Battista; erroneously called Benedetto by Vasari. Brought up by his father, but went about 1507-8 to Rome, where he became acquainted with Perugino, Pinturicchio, Bramante, and Signorelli, and learned to imitate them. On his return to Perugia in 1519 he was made a decemvir. He was also an architect, and built and decorated with frescos the Villa Passerini near Cortona. A fresco in S. Croce in Gerusalemme, Rome; Virgin and Saints (1492), S. Girolamo, Citta di Castello; Nativity, Duomo, Panicale, and at S. Salvatore, in neighbourhood, are attributed to this painter.—C. & C., Italy, iii. 360; Ch. Blanc, École ombrienne; Vasari, ed. Mil., iii. 597.

CAPPONI, RAFFAELLINO. See Garbo.

CAPPUCCINO, IL. See Strozzi, Bernardo.

CARACCIOLO, GIAMBATTISTA, born in Naples about 1580, died there in 1641.