Page:Cyclopedia of painters and paintings - Volume I.djvu/279

 ii. 435; Ch. Blanc, École lombarde; Burckhardt, 738; Rio, iii. 359.

CAMPI, BERNARDINO, born in Cremona in 1522, died there about 1590. Lombard school; son of Pietro Campi, a goldsmith, of the same family as Galeazzo; pupil of Giulio Campi, and of Ippolito Costa at Mantua, where he studied the works of Giulio Romano, as also afterwards those of Correggio in Parma, Modena, and Reggio. After successfully imitating the manner of these painters, he formed a vigorous and brilliant style of his own. He painted many excellent portraits. Became among the Campi what Annibale Carracci was in his family, and received commissions from all the neighbouring cities. His most important works are in S. Sigismondo, Cremona, where he painted (1570-71) in the great cupola many figures from the Bible, representing the concourse of the blessed. His many works are described by his biographer Alessandro Lamo.—Lanzi, ii. 437; Ch. Blanc, École lombarde; Burckhardt, 738; Kugler (Eastlake), 495.

CAMPI, GALEAZZO, of Cremona, born in 1477, died in 1536. Lombard school; style formed on that of Boccaccino. His Raising of Lazarus (1515), now in Casal Maggiore, is quaintly treated with sentimental realism. Other pictures of his are the St. Christopher (1516), in S. Sigismondo and the Madonna in S. Sebastiano, Cremona; Portrait of the Artist, Uffizi, Florence. Galeazzo was the father of Giulio, Antonio, and Vincenzo Campi.—C. & C., N. Italy, ii. 447; Vasari, ed. Mil., vi. 496; Ch. Blanc, École lombarde; Burckhardt, 738; Rio, iii. 377.

CAMPI, GIULIO, born in Cremona about 1500, died there in 1572. Lombard school; son and pupil of Galeazzo Campi, afterwards pupil of Giulio Romano at Mantua, and later studied Raphael and the antique at Rome. Became the founder of the eclectic school of painting at Cremona. Distinguished both as a painter and an architect. S. Margherita, Cremona, is almost wholly decorated with his pictures. He painted also St. Jerome in the Cathedral, Mantua; Pentecost (1546), S. Sigismondo, Cremona; Christ before Pilate, Cathedral of Cremona; Crucifixion, S. M. della Passione, Milan; and Conversion, Baptism, Miracles, and Death of St. Paul, S. Paolo, Milan; Madonna with Saints (1527), high altar, S. Abbondio, Cremona; (Frescos 1547), S. Margherita, Cremona, Castelbarco Gallery, Milan, picture dated 1530.—Lanzi, ii. 432; Vasari, ed. Mil., vi. 496; Ch. Blanc, École lombarde; Burckhardt, 738; Rio, iii. 380.

CAMPI, VINCENZO, born in Cremona before 1532, died Oct. 3, 1591. Lombard school; youngest son of Galeazzo, and brother and pupil of Giulio Campi. Good painter of portraits and of still life. Aided his brothers, in S. Paolo, Milan, and in other churches. Pictures in the Brera, Milan; Descent from Cross, Cathedral of Cremona.—Vasari, ed. Mil., vi. 496; Lanzi, ii. 436; Ch. Blanc, École lombarde.

CAMPUZANO, Don TOMAS; contemporary. Landscape painter; Medal, Madrid, 1883. Works: In the Bay (1881); Beach of Vivero (1883); The Tajo at Lisbon; The Tajo at Belem (1884).—La Ilustracion (1881), i. 419; ii. 65; (1883), i. 123; (1884), ii. 219.

CAMUCCINI, VINCENZO, Cavaliere, born in Rome in 1773-75, died there, Sept. 2. 1844. Italian school; history and portrait painter; pupil of his brother Pietro, a picture restorer, and of Bombelli the engraver, but formed himself chiefly by copying the old masters. Stimulated by the arrival of David at Rome, he painted, in the classic manner, a series of pictures illustrative of Roman history, as well as many religious subjects, which won him reputation. He was also eminent as a portrait painter, among his sitters being Pius VII., the King and Queen of Naples, Countess Schouvaloff, Countess de Diedrichstein, Duc de Blacas, and other notable persons. He was inspector-general of the pontifical museums, and of the factory of mosaics, and of the Neapoli