Page:Cyclopedia of painters and paintings - Volume I.djvu/220

 for the Hunt, Flock of Sheep, W. H. Vanderbilt, New York; Sheep—Scotch Landscape, Pyrenees—Landscape and Sheep, W. Rockefeller, New York; Landscape with Sheep, T. R. Butler, New York; Scotch Sheep, Mrs. Paran Stevens, New York; Horse Fair, Mrs. A. T. Stewart, New York; Cattle and Dog, H. Probasco, Cincinnati; Sheep, A. E. Head, San Francisco; Scotch Cattle, J. T. Martin, Brooklyn; Maternal Solicitude (1845), L. Tuckerman, New York; Deer in Fontainebleau, Mrs. R. L. Stuart, New York; Sheep, D. O. Mills, New York; Highland Sheep, H. C. Gibson, Philadelphia; The Conversation (1858), Andalusian Bulls (1867), W. T. Walters, Baltimore; Cavaliers caught in a Shower, Samuel Hawk Collection, New York.—Meyer, Gesch., 761; Müller, 64; Larousse; Portfolio (1875), 98; Hamerton, French Painters; Montrosier, Artistes modernes.—Century (1884), xxviii. 833.

BONIFAZIO BEMBO. See Bembo.

BONIFAZIO VENEZIANO, born in Venice, flourished 1555-1579. Venetian school; probably son of Bonifazio the elder or younger. Works: SS. Jerome and Margaret, SS. Bruno and Catherine, SS. Barnabas and Sylvester, SS. Anthony and Mark (1562), Madonna in Glory with Saints, Venice Academy.—Lermolieff, 215; Morelli (Richter), 178, 184.

BONIFAZIO VERONESE, the elder, born in Verona about 1490, died in 1540. Venetian school; pupil of Palma Vecchio, but closely imitated Titian. Forms clear and rounded; lights and shadows distinct; for colour one of the first Venetian masters. Works: Madonna with Saints (attributed to Palma), Casa Andreossi, Milan; St. John, St. Joseph, etc., Ambrogian Library, Milan (attributed to Giorgione); Holy Family and Saints, Palazzo Colonna, Rome; do. (1533), Palazzo Ducale, Venice; do., Palazzo Pitti, Florence (attributed by C. & C. to a Trevisan); Finding of Moses, Dresden Gallery.—Kugler (Eastlake), ii. 543; Lermolieff, 215; Morelli (Richter), 184; Ridolfi, i. 369; Lübke, Gesch. ital. Mal., ii. 565.

BONIFAZIO VERONESE, the younger, born in Verona about 1490, died in Venice, Oct. 19, 1533. Venetian school; near relative, perhaps brother, of the above. Pupil of Palma Vecchio, but close imitator of Bonifazio the elder, with whom he painted many pictures. Works: Supper at Emmaus, Brera, Milan; Christ and the Apostles, Christ enthroned with David and SS. Mark, Louis, Dominic and Anna (1530), Venice Academy; Christ in the Temple, Palazzo Pitti, Florence; Supper at Emmaus, Uffizi (attributed to Palma); Prodigal Son, Borghese Gallery, Rome; Adoration of Shepherds (attributed to Palma), Virgin and Child with Saints, Dresden Gallery.—Lermolieff, 215, 221; Morelli (Richter), 184; Kugler (Eastlake), ii. 543.

BONINGTON, RICHARD PARKES, born at Arnold, near Nottingham, Oct. 25, 1801, died in London, Sept. 23, 1828. His father, a poor portrait painter, took him, when only fifteen years old, to Paris, where the boy procured permission to copy in the Louvre. He became a student in the École des Beaux Arts, and in 1819 entered the studio of Baron Gros. After obtaining a considerable reputation in Paris and winning the gold medal (1824) for a marine subject, he went to Venice and painted there some elaborate pictures both in oil and water colours, which won him fame and many commissions in England, but his promising career was cut short by death, the result of a sunstroke. Though he painted chiefly landscape and marine views, he also executed figure subjects with much skill, and his influence on the French school of genre and dramatic art was great. Works: Column of St. Mark in Venice, National Gallery, London; Henri IV. and the Spanish Ambassador, Collection