Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/84

 Works: Allegory of Justice, The Five Senses, St. Joseph in a Dream advised by the Angel to Flee, Male Bust Portrait, Museum, Ghent; Descent from the Cross, Cathedral, ib.; Christ as Pilgrim received by St. Augustin (1636), Card Players (ascribed to Valentin), Museum, Antwerp; Mystical Marriage of St. Catharine (1634), St. James', ib.; do. (1636), St. Martin's, Yperen; Martyrdom of St. Rumbold, Finding of St. Rumbold's Body, Beguin Convent, Mechlin; Peter's Denial, Lille Museum; Ecce Homo, Mater Dolorosa, Hospital of St. John, Bruges; Card Players, The Charlatan, Madrid Museum; Irene drawing the Arrows from St. Sebastian's Wounds, Carlsruhe Gallery; Male Portrait, Städel Gallery, Frankfort; Company of Singers, Old Pinakothek, Munich; Card Players, Kitchen Interior, Hermitage, St. Petersburg; St. John Preaching, Historical Society, New York.—Cat. du Mus. d'Anvers, 288; Ch. Blanc, École flamande; Immerzeel, iii. 24; Kugler (Crowe), ii. 294; Kramm, v. 1384; Michiels, ix. 351; Rooses (Reber), 340; Van den Branden, 885.

ROME: ARCH OF TITUS, Joseph M. W. Turner, National Gallery, London; canvas, H. 4 ft. 2 in. × 7 ft. 5 in. View, from near the Coliseum, of the Roman Forum, with the Arch of Titus at left and ruins of Basilica of Constantine at right. Painted about 1820. Engraved by E. Challis in Turner Gallery.

ROME FROM THE VATICAN, Joseph M. W. Turner, National Gallery, London; canvas, H. 5 ft. 9 in. × 10 ft. 11 in. A general view of Rome, seen from the Loggia of the Vatican, which was decorated by Raphael and his assistants; but, instead of them, Turner has represented Raphael and the Fornarina in the foreground, with which he has taken many liberties. Royal Academy, 1820. Engraved by A. Willmore in Turner Gallery.

ROMEO AND JULIET, Eugène Delacroix, Mme. Gabriel Delessert, Paris; canvas, H. 2 ft. × 1 ft. 7 in.; signed, dated 1845. Parting of Romeo and Juliet on the balcony, in moonlight. The two, seen full length, are embracing. Salon, 1846; Exposition universelle, 1855. Study, sepia drawing, Riesener sale.—Chesneau, Œuvre de Delacroix, 243; Larousse, xiii. 1358.

By Eugène Delacroix, Montpellier Museum; canvas, H. 10 in. × 8 in. Scene in the tomb; figures full length, Romeo with Juliet in his arms. Painted in 1851; Exposition universelle, 1855. Lithograph by Eugène Le Roux.—Chesneau, Œuvre de Delacroix, 316.

Subject treated also by Charles François Jalabert (Salon, 1857); Hermann Goldschmidt (Salon, 1857); James Bertrand (Salon, 1874); Germann von Bohn, Nancy Museum; Friedrich August Bouterwek (1836); Ferdinand Alexander Bruckmann; Hans Makart; Frank Dicksee (1884).

ROMEYN, WILLEM, born in Haarlem about 1624, died after 1693. Dutch school; landscape and animal painter, pupil of Berchem in 1642. Master of Haarlem guild in 1646. He possessed pure feeling for nature, taste for picturesque arrangement, and drew well. His landscapes, with animals and herdsmen, show the strong influence of Du Jardin. Works: Landscapes with Sheep or Cattle, and Figures in the Louvre, in Museums of Amsterdam (5), Berlin, Dresden, New York; Galleries of Copenhagen and Frankfort; Old Pinakothek, Munich (3, one dated 1665); Liechtenstein (2) and Czernin (2) Galleries, Vienna; Hermitage, St. Petersburg (3).—Kugler (Crowe), ii. 451; Ch.