Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/60

 On the Wissahickon, Indian Summer, C. P. Huntington, New York; Portsmouth Light—New Hampshire, J. J. Astor, ib.; Forest, Wissahickon, Land's End—Cornwall, G. Whitney, Philadelphia; Atlantic Coast, Fairman Rogers, ib.; Narragansett Pier, R. C. Taft, Providence; Sea Shore, Charles Parsons, St. Louis; do., Daniel Catlin, ib.; Trebar with Strand—Cornwall (1881); G. Schwabe, Henley on Thames; Marine View (1882); On the Coast of New Jersey (1883), Corcoran Gallery, Washington; Wild New England Shore (1884); Trevalga Head—Cornwall, England (1885); Summit of Mount Tacoma (1886). Water-colours: 47 Landscapes and Marine Views (1871-76), Metropolitan Museum, New York; Marine—Atlantic City, T. B. Clarke, New York; Southwest Point—Conanicut; Gooseberry Island—Newport; Gull Rock—ib., Limits of the Unresting Sea (1884).

RICHARDSON, JONATHAN, born in 1665, died in London, May 28, 1745. Portrait painter, pupil of John Riley; ranked, after the death of Kneller and Dahl, at the head of his profession. His heads are individual and characteristic, but his full-*lengths are weak. Among his best known portraits are those of Anne Oldfield, Pope, Prior, Steele, Vertue, and Lord Chancellor Talbot, National Portrait Gallery, London; Pope and his Dog Bounce, Lord Lyttleton. He was also distinguished as the author of "An Essay on the whole Art of Criticism in relation to Painting" (1719), "An Argument in behalf of the Science of a Connoisseur" (1719), and other works. His son, Jonathan (1694-1771), was an amateur portrait painter and often assisted him in his labours.—Redgrave; F. de Conches, 84; Portfolio (1872), 66.

RICHMOND, GEORGE, born in 1809. Portrait painter, pupil of Royal Academy; elected an A.R.A. in 1857, and R.A. in 1867. Has painted a few ideal pictures, such as Christ's Agony in the Garden (1858), and Scene from Comus (1864), but he owes his reputation to his more than 3,000 portraits, among which are those of the Earl of Elgin (1860), Bishop of Oxford, Duke of Buccleugh (1865), Dr. Keble, Sir R. H. Inglis, Sir Moses Montefiore (1875); Earl Granville, Bishop of Carlisle, Marchioness of Salisbury (1877).

RICHMOND, WILLIAM B.; contemporary. History and portrait painter, and sculptor, son of George Richmond, and pupil of Sir Frederick Leighton. Gold medal, Berlin, 1886. Works: Electra at Tomb of Agamemnon (1877); Phidyle, Sarpedon (1879); Calves, Song of Miriam (1880); Behold the Bridegroom Cometh (1881); Release of Prometheus (1882); May (1884); Audience in Athens during the Representation of the Agamemnon (1885), Birmingham Gallery; Cicely Wormald, Hermes (1886). Among his portraits are those of Princess Louise, Gladstone, Darwin, Browning, William Morris, Holman Hunt, and Lord Lyttleton.

RICHOMME, JULES, born in Paris, Sept. 9, 1818. History and portrait painter, son of the engraver Joseph Théodore Richomme, pupil of Drölling. Paints religious subjects chiefly, in a cold and correct style. Medals: 3d class, 1840; 2d class, 1842, 1862, 1863; L. of Honour, 1867. Works: Abraham taking Hagar as his Wife (1842); St. Sebastian saved by Holy Women (1843); Incredulity of St. Thomas (1845); Christ appearing to St. Martin, St. Peter's Repentance, Leda (1848);