Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/485

 Lyons Museum; Charles V. having prepared his Funeral receives a Portrait representing him at the Ceremony (1848); Summer Shower (1850), Bordeaux Museum; Peace of Amiens (1853), City Hall, Amiens; The Republic, Lille Museum; St. George slaying the Dragon, Nancy Museum; Daniel in the Lions' Den, Moonlight at Venice, Nantes Museum; Louis XIV. receiving at Fontainebleau the Apology made in the Name of Pope Alexander VII. by Cardinal Chigi, portraits of Philippe VI., John II., Charles II. of France, and others, Versailles Museum.—Bellier, ii. 730; Meyer, Gesch., 359, 361; Ch. Blanc, École française; Kunstlb. (1851-57); Larousse.

ZIEM, FÉLIX, born at Beaune (Côte d'Or), Feb. 25, 1821. Architecture and marine painter, pupil of Art School at Dijon; travelled in 1845-48 in Southern France, Italy, and the East. His pictures, particularly his views of Venice, have won for him a world-wide reputation. Medals: 3d class, 1851, 1855; 1st class, 1852; L. of Honour, 1857; Officer, 1878. Works: View of the Bosphorus (1849); Evening in Amsterdam, Hut near The Hague (1852); View of Venice (1852), Luxembourg Museum; Interior of Marseilles Harbour, Venice at Evening (1853); Festival at Venice (1854); View of Antwerp (1855); The Golden Horn at Constantinople, St. Mark's Place in Venice (1857); Views of Constantinople (2), Sunset (2, 1859); Triptych with St. Mark's Place, Bridge of Sighs, and Doge's Palace (1861); Pilgrims embarking for Mecca, View of Tripolis (1863); Cleopatra in Upper Egypt (1865); Venice after Rain, Stamboul at Sunset (1866); Bucentaur adorned for Ceremony of Doge's Marriage with the Adriatic, Beheading of Carmagnola (1867); Party of Pleasure at Venice, View at the Old Port of Marseilles (1868); Doge's Palace in Venice, Ravené Gallery, Berlin; do., and Marine, Luxembourg Museum; Banks of the Amstel—Holland, Bordeaux Museum; View of Quai Saint-Jean at Marseilles, Marseilles Museum; Sunset, Montpellier Museum. Works in United States: Sweet Waters near Constantinople, T. Wigglesworth, Boston; Venice, W. Richmond, Providence; do., J. A. Brown, ib.; Constantinople, J. J. Astor, New York; Fête-Day in Venice, William Astor, ib.; Inundation of Piazza S. Marco—Venice, Miss C. L. Wolfe, ib.; Canal Grande, August Belmont, ib.; Dogana, M. Graham, ib.; Morning on the Lagoon, Robert Hoe, ib.; Canal, Israel Corse, ib.; Doge's Palace, R. L. Stuart, ib.; Suburbs of Venice, M. K. Jesup, ib.; Canal Grande, D. O. Mills, ib.; do., H. V. Newcomb, ib.; Shipping at Venice, W. Rockefeller, ib.; Doge's Palace, Quai dei Schiavoni, A. T. Stewart Collection, ib.; Golden Horn with Pilgrims starting for Mecca, Venice by Twilight, C. S. Smith, ib.; Across Canal Grande, J. H. Warren, Hoosac Falls, N. Y.; Venetian Doorway, Entrance to Garden, Fairman Rogers, Philadelphia; Holland (1851), Marseilles (1863), Venice (4, one dated 1863), Tunny Fishing, Morning, Mid-Day (1868), Evening, W. T. Walters, Baltimore; Entrance to Canal Grande, J. W. Garrett, ib.; do., H. L. Dousman, St. Louis; Tyrrhenian Sea, Judge G. Hoadley, Cincinnati; Marriage of the Adriatic, Hurlbut Collection, Cleveland; Arsenal—Venice, Charles Parsons, St Louis.—Larousse, xv. 1483; Meyer, Gesch., 753; Kunst-Chronik, xvii. 323.

ZIER, VICTOR CASIMIR, born at Warsaw, Sept. 26, 1822. History and portrait painter, pupil of Norblin and Léon Cogniet in Paris, whither he went as early as 1825. With Norblin he decorated in 1858 the Chapel of St. Susanna in St. Roch's, Paris. Works: Magdalen Penitent (1844); Faith, Daniel in Lions' Den (1846); St. Geneviève