Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/476

 elected an A.R.A. in 1867, and R.A. in 1878. Works: Meeting of Sir Thomas More with his Daughter (1863); La Reine Malheureuse (1864); The Stepping-Stones, Arming the Young Knight (1865); Queen Elizabeth's Reception of the French Ambassador after St. Bartholomew's Day (1866); Dawn of Reformation (1867); Chimney Corner, Lady Jane Grey in the Tower (1868); Fugitive Jacobite, Alarming Footsteps (1869); Maundy Thursday, Love's Young Dream (1870); Dr. Harvey and Children of Charles I. (1871); Old Parishioners (1872); The Suitor (1875); Last Bit of Scandal (1876); Amy Robsart, Waking (1877); La Brigolante, When did you last see your Father? (1878); Here we go round the Mulberry Bush, Dolce far niente (1881); Prince Arthur and Hubert, March Past, Welcome as Flowers in Spring (1882); Tender Thoughts (1883); Toast of the Kitcat Club, Toots (1884); Prisoners of War in 1805, Dessert (1885); Malvina, Catastrophe (1886).—Meynell, 116; Art Journal (1874), 97; Portfolio (1871), 81.

YELLAND, RAYMOND D., born in London in 1848, and brought to America in his third year. Landscape painter, pupil of the National Academy and of William Page, Wilmarth, and Brevoort in New York. Elected an A.N.A. of the California Art Association in 1874, and assistant director of the School of Design in 1877. Studio in San Francisco. Works: Half-Moon Beach—Gloucester Harbour; Seal Rocks—Golden Gate, San Francisco; Point Bonita from Point Lobos—Golden Gate (1882); Mt. Hood from White River Cañon—Oregon (1883); Cypress Trees at Monterey—California (1884); Seal Rocks—San Francisco (1886).

YELLOWSTONE, CAÑON OF THE, Thomas Moran, Capitol, Washington. Painted in 1872.—Scribner's Mag., v. 499.

YEOMAN OF THE GUARD, Sir John Everett Millais, Mrs. Henry Hodgkinson, London; canvas, H. 4 ft. 8 in. × 3 ft. 9 in. A life-size, three-quarters length figure of one of the Queen's Yeomen of the Guard in his state uniform of scarlet, embroidered with black and gold, with medals and clasps upon his breast, a baldric across his shoulder, a white ruff around his neck, and the official cap of black velvet on his head. The old man, a veteran of Waterloo, sits upright in his chair, holding in his right hand his staff of office and in his left a folded paper containing his last orders. Royal Academy, 1877; Exposition universelle, Paris, 1878; Fine Art Society, London, 1881; Grosvenor Gallery, 1886. Never engraved. Etched by Paul Rajon for , 1887.

YEWELL, GEORGE HENRY, born at Havre-de-Grace, Md., Jan. 20, 1830. Landscape and still-life painter, pupil of Thomas Hicks in New York, and of Couture in Paris. Lived several years in Rome. Elected N.A. in 1880. Studio in New York. Works: Venice (1871); First Communion, Country Girl (1872); Senate Chamber—Interior of Ducal Palace (1877); Carpet Bazaar—Cairo, Mosque of Kait-Bey—Cairo (1878); Oriental Bric-à-Brac, Pulpit in S. Marco—Venice (1879); Village Street in Umbria—Italy (1880); Old Houses near Titian's Birthplace (1882); On the Bolton Road—Lake George, Portrait of Alexander Mitchell (1883); In the Studio (1884); Entrance to Old Slave-Market in Cairo (1885); New Cordial, Old Music (1886); Young Monk (1886), William Walter Phelps.

YKENS, FRANS, born in Antwerp, baptized April 17, 1601, died there, probably in 1693. Flemish school; still-life painter, pupil of Osias Beert; travelled in France about 1629, and became master of the guild at Antwerp in 1630; lived also in Brussels about 1665-67. Works: Flower-Piece, Museum Plantin-Moretus, Antwerp; Garland around Madonna, St. James's, ib.; Still-Life (1636), Ghent Museum; Fruit-Piece, Berlin Museum; Festoon of Fruits (1652), Carlsruhe Gallery; Bouquet, Vienna Museum; Game and Fruit, Madrid Museum.—Rooses (Reber), 431; Van den Branden, 1130.