Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/44

 and Wife, Portraits of Berghem and Wife, Landscape, Grosvenor House; Rembrandt's Mill, Marquis of Lansdowne; Male Portrait, St. John Preaching, Lord Dudley; Old Woman, Landscape, Lord Overstone; Feast of Belshazzar, Lord Derby; Tribute Money, Interior with Figures, Hope Collection; Daniel before Nebuchadnezzar, Lord Scarsdale; Standard-Bearer, Lord Warwick; Bust of a Young Man (1632), Girl at Window (1645), Dulwich Gallery; Jewish Rabbi, Turin Gallery; Old Man, Portrait of Rembrandt, Palazzo Pitti, Florence; Cottage Interior, Landscape, Uffizi, Florence; Le Doreur (1640), William Schaus, New York.—Ch. Blanc, L'Œuvre complet de R. (Paris, 1880); Dutuit, L'Œuvre complet de R. (Paris, 1880); Amand-Durand, Œuvre de R. (Paris, 1880); Scheltema, Rembrandt (Paris, 1866); Mollett, Rembrandt (London, 1882); Vosmaer, Rembrandt (2d ed., 1877); Bode, Studien, 24, 29, 354, 359-611, 617; Burger, Trésors d'Art (3d ed., 1855), 244; Waagen, Treasures; Eug. Fromentin, les Maítres d'Autrefois; Immerzeel, iii. 9; Jal, 1046; Kramm, v. 1346; vii. 122; Kugler (Crowe), ii. 363; Middleton, Descriptive Catalogue; Richter, Dulwich Cat.; Riegel, Beiträge, i. 67, 73, 88, 133, 146, 154; ii. 232, 265, 273; Gaz. des B. Arts (1885), xxxii. 328, 498; Graph. K., iii. 49; Kunst-Chronik, xii. 425, 457, 571, 697, 785; xvii. 267; xviii. 473; xix. 10; xxi. 705; Les Lettres et les Arts, i. 91; Zeitschr. f. b. K., i. 192; iv. 101, 159; v. 169, 237, 304; viii. 16, 145, 190, 234, 267, 343; x. 319 (Mittheilungen, iii. 37); xi. 125, 222 (Mittheilungen, iv. 42); xii. 32, 322; xiii. 224; xvii. 58, 386; xix. 30.

REMBRANDT, portraits, Rembrandt. There are more than forty portraits by himself, representing himself at different ages and with various accessories. Among those in public galleries are: Louvre (4, 1633, 1634, 1637, 1660); National Gallery, London (2, 1640, and about 1664); Dresden, (1657); Cassel (4); Hague (2); Carlsruhe; Brunswick; Gotha; Nuremberg; Berlin (2, 1634, and about 1634-35); Vienna (2, about 1658, and 1666-68); Naples; Uffizi, Florence (2); Palazzo Pitti, ib. (2); Fitzwilliam Museum, Cambridge (1650); Dulwich Gallery (1632); Buckingham Palace (about 1642); Lord Ashburton (old age); Bridgewater House (about 1657); Lansdowne House (old age); Grosvenor House (1630); Sir Richard Wallace (3, one dated 1643); Earl of Leconfield; Earl of Portarlington; Earl of Kinnaird; Duke of Bedford; Duke of Buccleugh; Lord Caledon; M. Secretan, Paris.—Bode, Studien; Vosmaer, Rembrandt; Smith, Cat. Raisonnée.

REMBRANDT AND HIS FAMILY, Rembrandt, Brunswick Gallery; H. 4 ft. 4 in. × 5 ft. 9 in.; signed. A lady seated, with a child on her lap, while two little girls of five and seven stand beside her; at left, standing, a man with brown hair and moustaches, giving a flower to one of the girls. The same persons as those represented in the Jewish Bride.—Mollett, Rembrandt, 73; Vosmaer, 301, 491.

REMBRANDT'S MILL, Rembrandt, Marquis of Lansdowne, Bowood; canvas, H. 2 ft. 8 in. × 3 ft. 2 in. A mill and a house in a landscape, with water below and figures; background, a luminous evening sky, with dark rain-clouds.—Waagen, Treasures, iii. 157.

REMY, MARIE, born in Berlin, Nov. 21, 1829. Flower painter, daughter and pupil of the history and portrait painter, August Remy, then studied with Hermine Stilke, and Theude Grönland; visited England, Paris, Switzerland, Tyrol, and Italy. Works: Italian Flowers and Fruits (26), National Gallery, Berlin.—Müller, 435.

RÉNARD, ÉMILE, born at Sèvres; contemporary. Landscape, genre, and portrait