Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/424

 merit under the Commonwealth. He painted the Protector and many of his principal officers, and is known as "Cromwell's portrait painter." One of his portraits of Cromwell is engraved by Lombart, Godfrey, and Picart; another is in the Hermitage, St. Petersburg; a third at Warwick Castle. Portraits of himself at Hampton Court and at Oxford; of Cromwell, Lambert, Ireton, and Faithorne, National Portrait Gallery, South Kensington; Lord Brooke, Warwick Castle; Admiral Blake, Wadham College; Sir Thomas Browne, Bodleian Library, Oxford.—Redgrave; F. de Conches, 45; Bürger, Trésors d'Art, 358.

WALLANDER, JOSEF WILHELM, born in Stockholm, May 15, 1821. Genre painter, pupil of Stockholm Academy; went in 1851 to Düsseldorf, whither he returned, after having visited France and Italy, until 1856; became professor at Stockholm Academy in 1867. Works: Market at Vingaker (1852); Wedding at Osteracker; Sunday Morning in Silja, Dalecarlia; Rendezvous at the Gate; Spinning Company at Delsbo; The Bride is Coming; Moritz in a Strait, Mollberg with the Bottle, Ulla at Toilet.—Müller, 544.

WALLER, FRANK, born in New York in 1842. Landscape and genre painter, pupil of J. G. Chapman in Rome in 1870; sketched in Egypt in 1872; student of the Art League, New York, in 1874; former treasurer, and now president, of the League. First exhibited in National Academy in 1866. Works: Tombs of the Caliphs near Cairo; Sta. Maria del Sasso—Lago Maggiore, Parke Godwin, New York; Ruins near Cairo; On the Desert; Harmony, Record of the Past (1880); Slave of the Shadoof (1881);	Dream at Rye Beach—N. H. (1882);	Eventide—Venice (1883); On the Mediterranean near Alexandria—Egypt, Hop Picking at Cooperstown—N. Y., At Coney Island (1884); Hop Pickers, Testing the Toledo, Lake Otsego (1885).

WALLER, SAMUEL EDMUND, born in Gloucester in 1850. Animal and figure painter; educated at Cheltenham College; pupil in Gloucester School of Art, and student of his father in architecture; pupil of the Royal Academy, London, in 1868. Mr. Waller has illustrated many books, and has for several years been attached to the staff of the Graphic. Works: Illustrious Stranger, Winter's Tale (1870); Jealous (1875); Way of the World (1876); Home (1877); King's Banner (1878); Empty Saddle (1879); Suspense (1879); Where there's a Will there's a Way (1880); King's Highway (1880); Success (1881); Sweethearts and Wives (1882); Day of Reckoning (1883); The Orphans (1884); Outward Bound (1885). His wife, Mrs. Mary L. Waller, paints portraits.—Art Journal (1881), 117.

WALSCAPELE (Walskapel, Wals-Kappel), JACOB, flourished about 1670-80. Dutch school; flower and fruit painter, pupil of Cornelis Kick; lived in Amsterdam before 1667, and until 1717-18; formed his style after Jan D. de Heem, whom he so nearly approaches in arrangement, harmony, and truth of detail, that most of his pictures were attributed to that master. Works: Flowers, Insects, and Strawberries, National Gallery, London; Festoon of Fruits and Flowers, Berlin Museum; Bouquet in Vase (1677), Fruit-Piece, Städel Gallery, Frankfort; two pictures, Schwerin Gallery; Flower-Piece in Glass Vessel, Dresden Gallery (ascribed to J. D. de Heem).—Kramm, vi. 1825; Kugler (Crowe), ii. 519.

WALTHARD, FRIEDRICH, born at Berne in 1818, died in 1870. Genre painter, pupil of Barthélemy Menn (born 1815) in Geneva, and of Gleyre in Paris. Works: Scene from Goethe's Faust (1846), Wounded Rifleman of Berne bringing News of Defeat at Grauholz—1798 (1854), Last Day of the old Republic of Berne (1867), Berne Museum; Bernese Soldier of 1798, Neuchatel Museum.