Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/338

 and Vegetables, Madrid Museum; Kitchen Interior, Brussels Museum; Still-Life, Museum, Antwerp; Arrival of Cardinal Infant Ferdinand, City Hall, ib.; Fish-Seller's Shop, Ghent Museum; Cock Fight, Lille Museum; Table with Fruit and Provisions, Amsterdam Museum; Poultry-Yard (1643), Berlin Museum; Lady among Kitchen Supplies and Utensils (figure by Thulden), Carlsruhe Gallery; Still-Life, Cologne Museum; Fruit and other Eatables (1647), Dresden Gallery; Poultry (1652), Leipsic Museum; Kitchen Interior (1629), Cassel Gallery; do., Weimar Museum; Fruit-Piece (1647), Copenhagen Gallery; do., Hermitage, St. Petersburg; Dead Game, Leuchtenberg Gallery, ib.; Breakfast-Table (2), Schwerin Gallery; Fruit Festoon (1644), Vienna Museum.—Ch. Blanc, École flamande; Burger, Musées, ii. 157; Kramm, vi. 1661; Kugler (Crowe), ii. 338; Michiels, ix. 187; Rooses (Reber), 422; Van den Branden, 1082.

UTRECHT, CHRISTOPH VAN, born at Utrecht in 1491 (or 1498?), died at Lisbon in 1550 (or 1557). Dutch school; history and portrait painter, supposed pupil of Antonis Moro (?), with whom he is said to have gone to Spain, and thence to Lisbon, where he painted altarpieces for churches, and highly-esteemed portraits, and was much honoured by John III. of Portugal.—Kramm, i. 232; Nagler, xix. 268; Raczynski, Arts en Portugal, 255.

UTRECHT, JACOB VAN, flourished at Utrecht about 1523. Dutch school; portrait painter, possibly the same who was received master of the guild at Antwerp in 1506. Signed himself Jacobus Trajectensis. Works: Male Portrait (1523), Berlin Museum; do. (1524), Baron Minutoli's Collection, Schloss Fridersdorf, Silesia.—Meyer, Gemälde der köngl. Mus. (1883), 471; Zeitschr. f. b. K., xxi. 324.

UWINS, THOMAS, born at Pentonville, near London, Feb. 25, 1782, died at Staines, Aug. 25, 1857. Apprenticed to an engraver, but became a student at Royal Academy in 1798; began as a water-colour painter and illustrator of books. In 1814 he visited the South of France and took up subject painting in oils; studied in Italy in 1826-31, and on his return established a reputation by his Italian scenes; became A.R.A. in 1833, R.A. in 1838, librarian in 1844, surveyor of the Queen's pictures in 1845, and keeper of the National Gallery in 1847. Works: Vintage in South of France, Chapeau de Brigand, Sir Guyon fighting for Temperance (Faerie Queene, ii. 12), National Gallery.—Art Journal, Sept., 1847; Oct., 1857; Cat. Royal Acad.; Redgrave; Ch. Blanc, École anglaise; Sandby, ii. 157; Mrs. Nevins, Recollections of T. U. (London, 1858).

UYTENBROECK (Wtenbrouck), MOZES VAN, surnamed Little Moses, born at Delft about 1590, died in The Hague about 1650. Dutch school; landscape painter, in the style of Elsheimer and Bril, supposed pupil of Poelenburg; master of the guild at The Hague in 1620; its dean in 1627; enlivened his pictures with scriptural and mythological scenes, which show a vivid imagination, great skill in grouping, and knowledge of chiaroscuro. Works: Juno and Argus (1625), Augsburg Gallery; Raising of Lazarus, Aschaffenburg Gallery; Feast of Bacchus (1627), Jupiter and Mercury received by Philemon and Baucis, Brunswick Gallery; Triumph of Bacchus, Landscape with Mars and Venus (attributed to Elsheimer), Cassel Gallery; Moonlight, Copenhagen Gallery; Bacchus and Ariadne, Prague Gallery; Landscape with dancing Shepherds, do. with Nymphs, Museum, Vienna; do. with Herd, Liechtenstein Gallery, ib.; do. (attributed to Elsheimer), Pesth Museum; Lot and Daughters (1627), Count Belgiojoso, Milan; Landscape with Cascade, Uffizi, Florence.—Bode, Studien, 337; Immerzeel, iii. 151; Kramm, vi. 1663; Riegel, Beiträge, ii. 213; Vosmaer, Rembrandt, ses précurseurs, 98.