Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/328

 search of Apuleius (1814), Crossing the Brook (1815), Dido building Carthage (1815),	Temple of Jupiter Panhellenius (1816),	Decline of Carthage (1817), Field of Waterloo (1818), The Meuse (1819), Richmond Hill (1819), Rome from the Vatican (1820), Rome—Arch of Titus (1820), Bay of Baiæ(1823), Carthage (1828), Scene from Boccaccio (1828), Ulysses deriding Polyphemus (1829), Loretto Necklace (1829), Orvieto (1829), Vision of Medea (1829), Regulus (1829), Pilate washing his Hands (1830), Caligula's Palace and Bridge (1831), Watteau Painting (1831), Lord Percy (1831), Childe Harold's Pilgrimage (1832), Landing of Prince of Orange at Torbay (1832), Shadrach, Meshach, and Abednego (1832), Venice—the Dogana (1833), do., Canal of the Giudecca (1834), Lake Avernus (1834), Heidelberg Castle in Olden Time (1835), Apollo and Daphne (1837), Parting of Hero and Leander (1837), Phryne going to the Bath as Venus (1838), Landing of Agrippina (1839), Fighting Téméraire (1839), Bacchus and Ariadne (1840), New Moon (1840), Venice—Bridge of Sighs (1840), Burial of Wilkie (1842), Exile and Rock Limpet (1842), Snow-Storm (1842), Shade and Darkness (1843), Light and Colour (1843), Opening of the Walhalla (1843), Approach to Venice (1843), Sun of Venice (1843), Fishing Boats and Disabled Ship (1844), Rain, Steam, and Speed (1844), Venice (1844), Venice Quay (1844), Venice at Noon (1844),	Whalers (1845), Venice at Sunset (1845),	do. at Evening (1846), do. in Morning (1846), Whalers (1846), Whalers in Ice (1846),	Queen Mab's Grotto (1846), Undine giving Ring to Masaniello (1846), Angel in the Sun (1846), Hero of a Hundred Fights (1847),	Æneas relating his Story to Dido (1850), Mercury sent to admonish Æneas (1850), Departure of Trojan Fleet (1850), Visit to the Tomb (1850), and others, National Gallery, London; Landscape (1821), East Cowes Castle (1828), Vessels in Distress off Yarmouth (1831), St. Michael's Mount (1834), Line-Fishing off Hastings (1835), Venice (1840), South Kensington Museum, ib.; Venice—Grand Canal, Earl Dudley, London; Sea Storm, Bridgewater Gallery, ib.; Vintage at Macon (1803), Wreck of the Minotaur (1810), Lord Yarborough, ib.; Echo and Narcissus, Jessica, Thames at Eton, do. at Weybridge, do. at Windsor, and others, Petworth House; Views of Lowther Castle (2), Earl of Lonsdale; Van Tromp's Shallop (1832), Holloway Institute, Egham; Scene on French Coast (1831), Staffa (1832), Lenox Library, New York; Norham Castle, Fountain of Indolence, William H. Vanderbilt, ib.; Slave Ship, Thornton Lothrop, Boston; Cicero's Villa (1839), Hermon sale, 1882, £1,890.—Monkhouse, Turner (1883); Burnet, Turner and his Works (London, 1853); Watts, Liber Fluviorum, etc. (1853); Art Journal (1856), 297; (1857), 1, 33, 226; Athenæum, Dec., 1851; Jan., 1852; Redgrave; Ch. Blanc, École anglaise; Dutton Cook, 317; Ruskin, Mod. Painters, v. 303, 358; G. W. Thornbury, Life (1862); Hamerton, Life; Portfolio (1876), 28 et seq.; (1877), 44 et seq.; (1878), 2 et seq.; Sandby, i. 316; Waagen, Art Treasures.

TURPILIUS, Roman painter, of Venetia, 1st century He was a knight, and Pliny mentions him (xxxv. 7 [20]) as an exception to the low condition in life of the painters of his day. He painted with his left hand.

TURPIN DE CRISSÉ, LANCELOT THÉODORE, Comte de, born in Paris in 1781, died there in 1859. Landscape and architecture painter, son of the Marquis de Turpin, who, forced by the Revolution to leave France, died in America, leaving his family without resources. Lancelot took up painting, and after studying in Rome returned to Paris, where he was patronized by Napoleon and Josephine and by Prince Eugène. He formed an art collection which he bequeathed to the Angers Museum. Works: Temple of Vesta at Tivoli, Angers Museum; Views of Tivoli (2), Dijon Museum; View at Roquebrune, Marseilles Museum; Entry of Emperor of Austria into