Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/325

 full-length, nude, standing in a dark rocky niche or cell, the symbolic well, with water and flags at her feet, the left hand grasping a rope extending from above, the right raised on high above her head holding a mirror which blazes with light. Salon, 1870. Replica in small (18 in. × 7 in.), S. A. Coale, Jr., St. Louis. Photogravure in Art Treasures of America.—Art Treas. of Amer., iii. 51.

TRYON, DWIGHT WILLIAM, born in New York, Aug. 13, 1849. Landscape and figure painter; pupil of Jacquesson de la Chevreuse, Daubigny, and A. Guillemette in Paris. Sketched in Holland, Italy, and the Channel Islands. Studied abroad, 1876-81. Studio in New York, where he first exhibited in the National Academy in 1872. Works: On the Maas—Holland, Harvest Time in Normandy (1881); Hay Making—Westchester; Dordrecht on the Maas (1883); Twilight—Connecticut, Early Morning—Dartmouth, October Evening (1884).	Water-colours: Twilight—Brittany, Waning Moon, Connecticut Valley (1884); October Afternoon, Gray Day in October (1885).

T'SCHAGGENY, CHARLES PHILOGÈNE, born in Brussels, May 26, 1815. Animal, landscape, and genre painter, pupil of E. Verboeckhoven; excels in representing the horse, which plays a prominent part in his pictures. Painted in London and at Oxford in 1848-50. Gold medal, Brussels, 1845. Order of Leopold, 1851; Officer, 1875. Works: Labourers at Rest (1845); Mowers (1851), Cow Doctor, Royal Collection, Osborne; Cart Horses before Tavern (1854), Leipsic Museum; Transportation of Horses (1855); Flemish Wedding in Seventeenth Century (1855), Neuchâtel Museum; Mail Coach in the Ardennes (1862), Brussels Museum; Smugglers on Franco-Belgian Frontier; Episode on Battlefield, South Kensington Museum; Post detained by Snow, Flemish Team (1867); Before the Storm (1878); Rest at Blacksmith's Shop (Latham sale, New York, 1878).—Art Journal (1866), 334; Meyer, Conv. Lex., xix. 941.

T'SCHAGGENY, EDMOND, born in Brussels in 1818, died there, Sept. 5, 1873. Genre and animal painter, brother of preceding, pupil of E. Verboeckhoven; especially successful in characterizing the individual traits of the different animal species. Works: Bull Pursuing a Woman (1849), Neuchâtel Museum; Herd Resting, Leipsic Museum; Paul Potter Studying (1850); Mounted Freebooters in Ambush (1851); Giotto drawing Sheep (1852); Herd in Storm (1861); New-Born Lamb (1862); Sheep at Pasture, Horse in Burning Stable; Arabs marching with Cattle; Anatomy of Cattle (100 water-colours, 1865); Resting Herd, Leipsic Museum.

TSCHAUTSCH, ALBERT, born at See-*low, Brandenburg, Dec. 21, 1843. Paints exclusively subjects from German legends and fairy tales; pupil of Schrader in Berlin, where he settled after having visited Rome. Works: Sleeping Beauty (1872); Snowdrop, Titania and Oberon (1874); Undine (1876); Cinderella (1879).—Rosenberg, Berl. Malersch., 321.

TUCKERMAN, S. SALISBURY, born in Massachusetts; contemporary. Landscape and marine painter; pupil of William M. Hunt, Boston, and studied in Paris. Rarely exhibits. Studio at The Hague since 1882. Works: Beach at Hastings, U. S. Frigate Constitution escaping from British Fleet in 1812 (1876); Dutch Fishing-Boats beaching in a Gale (1882).

TULDEN. See Thulden.

TUNICA, HERMANN, born in Brunswick, Oct. 9, 1826. History painter, son of and first instructed by the portrait painter Johann Christian Tunica, then pupil of Brandes; studied the horse from nature, then in Paris, copying Horace Vernet's battlepieces; visited Brussels, Berlin, Dresden, and Munich, and finally settled in Brunswick. Works: Portraits and battle scenes in life of Brunswick Princes, Grand-ducal Palace, Brunswick; Great Parade near