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 and his Grandsons, Naples Museum; Jacopo Pesaro, Antwerp Museum; Philip II., Palazzo Giustiniani, Padua; do., Madrid Museum; do., Naples Museum; Pietà, Venice Academy; Marc Antonio Rezzonico, Spedale Maggiore, Milan; Eleonora della Rovere, Francesco della Rovere, Uffizi, Florence; Salome, Madrid Museum; Fabricio Salvaresio, Vienna Museum; Saviour, Palazzo Pitti, Florence; St. Sebastian, Harrach Collection, Vienna; do., Hermitage, St. Petersburg; Filippo Strozzi, Vienna Museum; Summer Storm, Buckingham Palace; Supper at Emmaus, Louvre; Tarquin and Lucretia, Hertford House, London; Three Ages, Bridgewater House, London; Titian (portrait), Berlin Museum; do., Madrid Museum; do., Vienna Museum; Titian's Doctor, Vienna Museum; Titian's Uncle, Hampton Court; Tobias and Angel, S. Marcellino, Venice; Transfiguration, Marc Antonio Trevisani, Sterne Collection, Vienna; Trinity or La Gloria, Madrid Museum; Benedetto Varchi, Vienna Museum; Lavinia Vecelli, Berlin Museum; do., Dresden Gallery; Venus of the Tribune, Uffizi, Florence; Venus and Adonis, Alnwick Castle, England; do., Madrid Museum; Venus Anadyomene, Bridgewater House, London; Venus and Cupid, Uffizi, Florence; Venus equipping Cupid, Palazzo Borghese, Rome; Darmstadt Venus, Darmstadt Gallery; Toilet of Venus, Hermitage, St. Petersburg; Venus with Organ Player, Madrid Museum; Venus Worship, Madrid Museum; Andrea Vesalius, Palazzo Pitti, Florence; Woman in Adultery (attributed to Titian), S. Afra, Brescia.—C. & C., Life of Titian; Burckhardt, 714, 722; Lermolieff, 14; Vasari, ed. Mil., vii. 425; Wornum, Epochs, 250; Ch. Blanc, École vénitienne; P. G. Hamerton, Art Essays, Atlas Series, No. 14; Northcote, Titian (London, 1830); Bergmann, Tizian (Hanover, 1865); M. F. Sweetser, Titian, Artist Biographies (1877); R. F. Heath, Titian (1879); Ridolfi, Maraviglie dell' Arte (Padua, 1835, 1837); Eastlake, Five Great Painters (London, 1883); Graph. K., iii. 79; Kunst-Chronik, xii. 601; xvii. 286; xviii. 110; xix. 624; Zeitschr. f. b. K., v. 196; xii. 9; xiii. 257, 305; xix. 102; Art Journal (1886), 85, 132.

TITIAN, portrait, Titian, Berlin Museum; canvas, H. 3 ft. 2 in. × 2 ft. 5 in; Half-length, in a close-buttoned doublet, with shoulders covered by a pelisse of brown cloth with fur collar, and black skull-cap. Painted later than the Vienna picture. In bad condition till regenerated in 1874 by Pettenkofer process. Probably the original of the portrait in the Uffizi, from the engraving of which by Agostino Carracci the common pictures of Titian are taken.—C. & C., Titian, ii. 60; Vasari, ed. Mil., vii. 446, 458.

By Titian, Madrid Museum; canvas, H. 2 ft. 10 in. × 2 ft. 1 in. Almost in profile to the left; dressed in doublet, pelisse, and black skull-cap, his beard and hair white. Painted in 1562 (?); was in the Alcázar, Madrid, as early as 1621. Engraved by Alphonse François from a replica in Paris.—C. & C., Titian, ii. 62.

By Titian, Vienna Museum; wood, H. 1 ft. 7 in. × 1 ft. 4 in. Bust picture, in fur pelisse and black skull-cap. So repainted as to show no trace of Titian's hand. Copy by Teniers at Blenheim. Engraving by Vorsterman in Teniers's Gallery; another in Haas's Galerie de Vienne.—C. & C., Titian, ii. 60.

TITIAN'S DAUGHTER. See Vecelli, Lavinia.

TITIAN'S DOCTOR, Titian, Vienna Museum; canvas, H. 3 ft. 6 in. × 2 ft. 7 in. A beardless old man in black-silk robes. Perhaps picture called Parma by Ridolfi in his Maraviglie (i. 220). A masterly portrait, but treatment unlike that of Titian. Engraving in Teniers's Gallery.—C. & C., Titian, ii. 425.