Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/294

 *riage of St. Catherine, Bologna Gallery.—Vasari, ed. Mil., vii. 416; Malvasia, i. 133; Burckhardt, 68, 761; Ch. Blanc, École bolonaise.

TIBERIO D'ASSISI, beginning of 16th century. Umbrian school; probably pupil of Perugino, but not mentioned by Vasari. A painter of less power than Eusebio di San Giorgio. His best fresco, a Madonna, is in S. Martino, near Trevi. He painted also a Madonna and Saints (1510), in S. Francesco, Montefalco, and a Madonna with Angels and Saints, in S. Domenico, near Assisi. The latest date connected with him is 1524.—C. & C., Italy, iii. 342; Ch. Blanc, École ombrienne.

TIDEMAND, ADOLF, born at Mandal, Norway, Aug. 14, 1814, died in Christiania, Aug. 25, 1876. Genre painter, pupil in 1832-37 of Copenhagen Academy, then of Düsseldorf Academy under Hildebrandt and Schadow; went in 1842 to Munich, thence to Rome, and returned during the same year to Norway, where he executed several orders from the King, and painted portraits for the University of Christiania; in 1846-48 he lived again in Düsseldorf, where he settled permanently in 1849, spending the summer months usually in Norway. Contributed essentially by his excellent works to the fame of the Düsseldorf school, and was made professor. Member of Christiania, Stockholm, Copenhagen, Berlin, Dresden, Vienna, Amsterdam, and Rotterdam Academies. Medals in Berlin, 1848; Paris, 1855; Besançon; Vienna, 1873, etc. Swedish Order of Vasa; Norwegian Order of Olaf; Prussian Order of Red Eagle; L. of Honour. Works: Gustavus Vasa addressing the Dalecarlians, (1841); Norwegian Christmas Custom, Family Scene, Peasants' Church (1846); Catechising in Country Church, Sad News, Domestic Scene (1847); The Haugians (1848), Düsseldorf Gallery; replica (1852), Lonely Old Couple (1849), Christiania Gallery; Bridal Sail on Hardanger Fjord (1848), Christiania Art Union; replicas, Lord Ellesmere, London, and Dr. Lessing, Berlin; Norwegian Peasant Life (cycle of ten, 1850), Castle Oscarshall near Christiania; Evening on Norwegian Lake (1851), National Gallery, Berlin; Farewell of Norwegian Emigrants (1851), Leipsic Museum; Night Fishing (1851), Vienna Art Union; Funeral on Sogne Fjord (1852), Marquis of Lansdowne (last three, together with Hans Gude); Neighbour's Advice, Letter from America (1852); Norwegian Sunday (1851), Wolf Hunter relating his Adventures (1853), Funeral in Norway (1854), Ravené Gallery, Berlin; Wolf Hunter (1855), Hamburg Gallery; Grandmother's Tale, Wounded Bear Hunter (1856), Vienna Museum; Visitation of the Sick (1860), Christiania Gallery; Adorning the Bride (1860); Grandmother's Spectacles (1861); Last Communion of Old Norwegian Peasant (1863), Königsberg Museum; Duel at Wedding Feast (1864); Grandmother's Bridal Crown (1865), Carlsruhe Gallery; Fanatics (1866); Baptism of Christ (1869), Trinity Church, Christiania; Four Scenes from Popular Life (1870); Resurrection (1871); Farewell of a Dying Man (1872); Wedding Procession crossing Brook (1873), Mr. Forbes, London; Laplanders hunting Reindeer (1873); Christ (1875); Landing of Colonel Sinclair at Romsdaelen in 1612 (1876, the landscape by Morten Müller).—Blanckarts, 117; Cat. Christiania Gallery (1885), 98; Illustr. Zeitg. (1876), ii. 337; Kunst-Chronik, xii. 5; Graph. K., i. 60; Land und Meer (1874), ii. 766; Wolfg. Müller, Düsseldf. K., 305; Springer, Gesch., 165; Wiegmann, Zeitschr. f. b. K., xiv. 393.

TIDEY, HENRY F., born at Worthing, Jan. 7, 1815, died in London, July 21, 1872. Portrait and subject painter in water-colours; son and pupil of John Tidey, who kept an academy at Worthing. Began as a portrait painter in oils, having among his sitters members of the royal family and