Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/275

 Lebreton and Montigny to found an Academy of Art in Rio de Janeiro, and returned in 1824. Works: St. John Preaching, Military Hospital in Italy (1789), Peter the Hermit preaching First Crusade, Taking a City (1800), Louvre, Paris; Battle of Nazareth, Crossing the St. Bernard, Napoleon I. entering Munich, Battle of Ebersburg, Halt on the Slope of the Alps, Bonaparte visiting the Battle Field of Lodi, Versailles Museum; Woman taken in Adultery, Grenoble Museum; Ball Play, Village Fête, Shepherds Reposing, Montpellier Museum; Shepherds competing for the Prize of Pan, Clorinda with the Herdsmen, The Lion of Androcles, Brother Philip's Geese, Proclamation of Henry of Burgundy as first King of Portugal (Lisbon and Rio de Janeiro); Military Camp, Hermitage, St. Petersburg. Many of his works have been engraved.—Bellier, ii. 546; Ch. Blanc, École française; Biog. universelle; Villot, Cat. Louvre; Jal, 1176; Meyer, Gesch., 138.

TAURISCUS, painter, date unknown. Pliny names (xxxv. 40 [144]) among his works a Discobolus, a Clytæmnestra, a Pan, a Polynices claiming the Sovereignty, and a Capaneus. Possibly identical with Tauriscus of Tralles, the sculptor.—Pliny, xxxvi. 4 [33]; Sillig, 434; Brunn, ii. 287.

TAVARONE, LAZZARO, born in Genoa in 1556, died there in 1641. Genoese school; favourite pupil and assistant of Luca Cambiaso; went with his master to Spain, and continued in the Escorial the works left unfinished by him at his death (1585). Returned to Genoa in 1594, and painted many frescos in the cathedral and other churches, and in various palaces, especially the Palazzo Adorno, where he executed a fresco on the ceiling, The Doge Adorno receiving the Pope. He left but few oil pictures.—Lanzi, iii. 248; Ch. Blanc, École génoise; Lavice, 89.

TAVERNIER, PAUL, born in Paris; contemporary. Animal, genre, and portrait painter, pupil of Cabanel and Guillaumet. Medal, 3d class, 1883. Works: Café in Algiers (1878); Arabs Bathing Horses in the Sea (1879); Hallali (1880); The Model (1881); An Inquiry (1882); Stag Hunt, The Chase (1883); Bat l'eau, Wild Boar Hunt (1884); The Stag at Bay, A False Start (1885); Amazone aux écoutes, Rentrée des poulinières (1886).

TEERLINK, ABRAHAM, born at Dordrecht in 1777, died in Rome in June, 1857. Landscape painter, pupil of Michiel Versteeg, of Jan Kelderman (1741-1820), and of Arie Lamme; then studied in Paris under David in 1808-9, and thence went to Rome. He ranks among the more esteemed of modern landscape painters. Order of Lion, 1839. Member of Amsterdam Academy. Works: Italian Landscape (1823), Falls of Tivoli (1824), Amsterdam Museum; View of Aricia near Rome (1855), New Pinakothek, Munich.—Immerzeel, iii. 129; Kramm, vi. 1606.

TEICHS, FRIEDRICH ADOLF, born at Brunswick in 1812. Historical genre painter, pupil of Düsseldorf Academy in 1834-36, after having studied while travelling in Hungary, North Italy, and Tyrol. His pictures show great feeling for noble forms and fine grouping, but are rather weak in drawing and colouring. Works: Albrecht Dürer painting (1834); Singer on the Battlement of a Castle (1835); Auerbach's Cellar, Wood Gatherer by Forest Chapel (1836); Portrait of Emperor Otto II. (1836), Römer, Frankfort; Greek Prisoners guarded by Mamelukes (1837), Mr. Geisberg, Münster; Liberation of Christians through Crusaders (1837); Henry the Lion taking Leave of his Wife; Scene in Hamlet (1840); Richard Cœur de Lion taking Corsair's Ship (1840); Charles V. denying Exhumation of Luther (1845); Last Banquet of the Girondists (1849), Stettin Museum.—Cotta's Kunstbl., 1835-45; Illustr. Zeitg., 1849; Nagler, xviii. 160.