Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/240

 Surgical Operation, Tobias healing his Father, Old Man Cutting Pen, Rotterdam Museum; Dentist, Menagerie (1660), Sick-Room, similar subject, Steen's Family, The Inn, Hague Museum; St. Nicholas's Day, Surgical Operation, Rotterdam Museum; do., Twelfth Night, Gallant Proposal, Rhetoricians, Museum, Brussels; Marriage of Cana, Arenberg Gallery, ib.; Samson insulted by Philistines, Country Wedding, Antwerp Museum; Artist's Portrait, Suermondt Museum, Aix-la-Chapelle; Philosopher Reading, Aschaffenburg Gallery; Jan Steen in a Tavern Garden, Quarrel at Play, Frivolous Party, Berlin Museum; Wedding Contract, Merry Party, Brunswick Museum; Tavern Garden, Carlsruhe Gallery; Feast of the Bean, Tavern Scene, Cassel Gallery; Miser surprised by Death, Triumphal Entry of Saul into Jerusalem (1671), Copenhagen Gallery; Morning after Wedding, Gallery, Dessau; Boy and Dog, Old Woman and Dog, Amalienstift, ib.; Marriage at Cana, Woman feeding Child, Expulsion of Hagar, Dresden Museum; Moses striking the Rock, Man joking with Servant Girl, Alchemist, Fish Market at Leyden, Städel Gallery, Frankfort; Jolly Company, Gotha Museum; Peasants in a Landscape, Interior with merry Peasants, Kunsthalle, Hamburg; Coveted Tid-Bits, Königsberg Museum; Quarrel between Card Players (1664), Doctor's Visit, Old Pinakothek, Munich; Music Assembly in Open Air, Oldenburg Gallery; Lovesick Maiden, Tavern Scene, Schwerin Gallery; Peasant Wedding, Dutch Interior (1663), Museum, Vienna; Devotee, Baron Rothschild, ib.; Peasant Party, Schönborn Gallery, ib.; Esther and Ahasuerus, Doctor's Visit, Musical Entertainment in a Garden, Game of Tric-Trac (1667), Tavern Scene, Wedding, Gouty Old Man, The Drinkers, Hermitage, St. Petersburg; Young Violinist, Peasants at Table, Uffizi, Florence; The Old Rat comes to the Trap at last, Dutch Kirmess, Metropolitan Museum, New York.—Ch. Blanc, École hollandaise; Bode, Studien, 193; Burger, Musées, i. 104, 252; ii. 107, 262; Dohme, 1ii.; Gower, Figure Painters, 49; Graph. K., iii. 28; Immerzeel, iii. 110; Kramm, v. 1562; Kugler (Crowe), ii. 401; Kunst-Chronik, xvii. 267, 283, 574; Nederlandsche Kunstbode (1881), 225; Riegel, Beiträge, ii. 326; Wedmore, Masters of Genre Painting, 106; Westrheene, Jan Steen (Hague, 1856); Zeitschr. f. b. K., iii. 190; v. 228; viii. 353; xiv. 253, 315, 343.

STEENWYCK, HENDRIK VAN, the elder, born at Steenwyck about 1550, died at Frankfort in 1604. Flemish school; architecture painter, pupil of Jan Fredeman de Vries; master at Antwerp in 1577. Went to Germany in 1579. Painted chiefly church interiors, generally with figures by some of the Francken family. The first to represent the effect of the light of torches and tapers on architectural forms. Works: Vestibule Interior, National Gallery, London; Illuminated Cathedral, Amsterdam Museum; Buildings, Hague Museum; Interior of St. Peter's at Louvain, Brussels Museum; A Market (1598), Brunswick Gallery; Court-Yard of a Palace (1588), Amalienstift, Dessau; Interior of Aix-la-Chapelle Cathedral (1573), Schleissheim Gallery; Liberation of St. Peter (1604), Gothic Church Interior, Vienna Museum; Prison of St. John the Baptist, Uffizi, Florence; others in Aschaffenburg (2), Cassel (5), Christiania, St. Petersburg (3), and Stuttgart Galleries.—Kramm, v. 1568; Michiels, vi. 203; Riegel, Beiträge, ii. 34; Siret (1883), ii. 294.

STEENWYCK, HENDRIK VAN, the younger, born in Amsterdam (?) or in Frankfort about 1580, died in London, after 1649. Flemish school; architecture painter, son