Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/236

 London by Charles I. about 1622, and worked there until 1642. His landscapes are enriched with buildings, biblical and mythological figures, and animals. Works: Wood Landscape, Antwerp Museum; do., Amsterdam Museum; Landscape, Kirmess, Cassel Gallery; Kirmess, Städel Gallery, Frankfort; do., Vienna Museum; Banquet of the Gods (1622), Judgment of Midas, Dresden Gallery; Adoration of the Shepherds (1622), Stag Hunt by a Lake, Berlin Museum; Wood Landscape, Schwerin Gallery; Triumph of David over Goliath (with P. Brueghel, 1619), Madrid Museum.—Kramm, v. 1556; Michiels, ix. 118; Rooses (Reber), 411; Van den Branden, 625.

STALLAERT, JOSEPH, born at Merchtem, Brabant, in 1825. History painter, pupil of Brussels Academy under Navez; took the prize for Rome in 1848; then spent four years in Italy, France, and Germany. His pictures are in tasteful antique style. Medals at Brussels (1860), Vienna (1873), Philadelphia (1876); Order of Leopold (1863); Officer (1881); Order of Francis Joseph of Austria. Principal professor of design and of painting in Royal Academy, Brussels. Works: Penelope (1859); Hero and Leander (1861); Death of Dido, Brussels Museum; Cellar of Diomedes in Pompeii (1862); Ulysses (1863); Medea; Polyxena sacrificed to the Manes of Achilles, Ghent Museum; Cellar of Diomedes (1879). In fresco: Ceilings, Palace of Count of Flanders; Four Celestial Regions, Elements and Gods, in Brussels National Bank.—Müller, 501; D. Rundschau, xx. 471.

STAMMEL, EBERHARD, born at Düren in 1832. Genre painter, pupil of Düsseldorf Academy under Sohn, then studied in Antwerp, Paris, and Munich, and settled at Düsseldorf in 1859. Works: Morning after Bout; Bookworm, Royal Collection, Berlin; Cavalier and Usurer, Villa Borsig, ib.; Gentlemen's Room, Barmen Art Union; Village Artist; Everything Lost; Peasants at the Museum; Art Amateur; Afternoon Pipe.—Dioskuren, 1865-66.

STANDAART. See Bloemen, Pieter van.

STANFIELD, GEORGE CLARKSON, born in London, May 1, 1828, died at Hampstead, March 22, 1878. Landscape and marine painter, son and pupil of William Clarkson Stanfield, and student of the Royal Academy, to the exhibitions of which he was a contributor from 1844 to 1876. He painted principally Continental landscapes and views of towns. Works: Church of St. Michael—Ghent (1860); Saarburg Castle (1861); On the Lahn (1863); Amphitheatre at Verona (1864); Angers (1868); Dunbar Castle (1872); Entrance to Harbour of La Rochelle (1875); On the Nile (1876).

STANFIELD, WILLIAM CLARKSON, born at Sunderland, Durham, in 1793, died at Hampstead, May 18, 1867. Began life as a sailor in the royal navy; became a scene painter when still young, and soon turned his attention to landscape and marine painting, in which he won success; exhibited first at Royal Academy in 1829; became an A.R.A. in 1832 and R.A. in 1835. After his first visit to Italy in 1813, painted many Italian views. He excelled in mountain and river scenery, and in naval battle scenes and seaport views. Works: Market Boats on the Scheldt (1826); Wreckers off Fort Rouge (1827); Mount St. Michael (1830); Fishermen of Honfleur, View of Venice (1831); Opening of New London Bridge, Portsmouth Harbour (1832); Battle of Trafalgar (1836); View near St. Malo, Amalfi, Avignon, Ancona (1840); Castle of Ischia, Pozzuoli (1841); Isola Bella, Kitchen of Inn—Amalfi (1842); Mazerbo and Lucello, Ducal Palace—Venice, Ischia (1843); Oude Scheldt, Day after the Wreck (1844); Trajan's Arch—Ancona, Capture of Spanish Frigate El Gamo (1845); Ponte Rotto—*