Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/171

 SCHÜHLEIN (Schüchlin), HANS, flourished in Ulm about 1468-1502. German school; history painter, probably a scholar of R. van der Weyden, and a master of high repute in Ulm, where he appears as senior master of a guild of painters, sculptors, etc., in 1473; he executed an altarpiece, with his pupil Zeitblom, now in a private collection in Hungary. Works: Altarpiece with Nativity, Adoration, etc. (1469), Church at Tiefenbronn, Würtemberg; Ysidor and Susanna, St. Servatius (2), David with Head of Goliath, Zacharias and Elizabeth, Munich Gallery; Anna and Cleopas, Schleissheim Gallery; six Altar-Wings, Maurice Chapel, Nuremberg; others in Augsburg Gallery and Stuttgart Museum.—Ch. Blanc, École allemande; Dohme, 1i.; Heideloff, K. des Mittelalt. in Schwaben, 117; Kugler (Crowe), i. 145; Schnaase, viii. 421; W. & W., ii. 110.

SCHULTEN, ARNOLD, born at Düsseldorf in 1809, died there, July 30, 1874. Landscape painter, pupil of Düsseldorf Academy in 1822-49, and with Scheuren, Lasinsky, Pose, Funk, and others, formed the school of landscape painters, which, under the guidance of Johann Wilhelm Schirmer, contributed essentially to the renown of the Rhenish Academy. Works: Landscape with Hunting Lodge (1831), Abbey of Altenburg (1831), Kloster Arnstein (1833),	Entrance into Plain, Woodland (1834),	do. with Cattle (1837), Return from the Chase (1840), Stag Hunt (1841), Kochel Lake (1842), Tegernsee (1843), Laacher Lake (1844), Brook among Rocks (1847), Pyrmont on the Elz (1848), View near Wallenstadt Lake (1852), Rhenish-Westphalian Art Union; Isola Bella in the Lago Maggiore, Villa Rosenstein near Stuttgart.—Blanckarts, 72; Wiegmann, 352.

SCHULTZ, FRIEDRICH, born in Germany; contemporary. Battle and genre painter, lives in Berlin; skilful in composition, but weak in colouring. Works: Ziethen Hussars foraging (1854); Frederick the Great in Battle of Torgau; do. in Battle of Hohenfriedberg; Peter the Great after the Battle of Poltava (1859); Bivouac in 17th Century; Prince Henry and the Bridal Pair (1862); Cupid and Psyche (1863); Crossing to Alsen; The first Bombshell at Königgrätz; King William decorating the Crown Prince with the Order pour le mérite on the Battlefield of Königgrätz.—Dioskuren (1860), 33, 255, 332, 341; Rosenberg, Berl. Malersch., 294.

SCHULTZ, HERMANN THEODOR, born at Wittstock, Prussia, in 1816. History and genre painter, pupil in Berlin of Wach and of Blechen; painted frescos in the Old Museum at Berlin after the sketches of Schinkel, and four scenes from the Myths of Hercules and Theseus of his own composition; also in the Royal Chapel two Prophets, and twelve Kings and Priests of the Old Testament. Among his genre pictures an Italian Woman with a Blind Boy before the Madonna is noteworthy.—Rosenberg, Berl. Malersch., 40.

SCHULTZ, JOHANN KARL, born in Dantzic, May 5, 1801, died there, June 12, 1873. Architecture and landscape painter, pupil of Dantzic Art School under Breysig, and of Berlin Academy under Hummel; went in 1823 to Munich, attracted there by Domenico Quaglio, and in 1824 to Italy, whence he returned to Berlin in 1828; was made director of Dantzic Art School in 1831, member of Berlin Academy in 1836; visited Rome again in 1839; founded in 1855 the Art Union and in 1856 the Archæological Union in Dantzic. Great gold medal for art. Honorary member of St. Petersburg Academy. Works: View in Milan Cathedral (1827), Steeple of do. (1829), National Gallery, Berlin; Choir in Königsberg Cathedral (1835), Royal Palace, ib.; replica (1837), Königsberg Museum; Castle Hohenzollern (6); Interior of Ulm Cathedral; do. of Strasburg Cathedral; View of Siena; Piazza del Gran Duca; Orvieto Cathedral; Triumphal Arch of Trajan at Ancona; Street of Tombs in Pompeii; Königsberg Cathedral; Artus Hof in Dantzic.—Andresen, ii. 141; Jordan (1885), ii.