Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/169

 on the Lake, View near Hallstadt (1851); Animals Resting (1855); Hungarian Puszta (1862), Count Edmund Zichy; In the Stable (1870); Sheep and Rooster, Dead Stag, Dog Resting, Pheasants and Partridges, Stable Interior at Leopoldsdorf (1872).—Müller, 478; Wurzbach, xxxi. 344.

SCHRÖDL, NORBERT, born in Vienna in 1842. Genre and portrait painter, pupil of Jacob Becker; paints with ingenious treatment ideal figures and portraits; has also attempted historical subjects, landscapes and animal pieces. Works: Symbolical Figures of Night and Day; Rape of the Sabine Women; Four Illustrations of "Who does not love Wine, Woman, and Song?" (1879).—Rosenberg, Berl. Malersch., 320.

SCHRÖDTER, ADOLF, born at Schwedt, in the Uckermark, June 28, 1805, died in Carlsruhe, Dec. 9, 1875. Genre painter, pupil of his father and of Berlin Academy, and in 1829 of W. Schadow in Düsseldorf. Went to Frankfort-on-the-Main in 1848, returned to Düsseldorf in 1854; called to Carlsruhe as professor in 1859, retired in 1872. One of the happiest representatives of humour in German art. Works: Wine Testing (1822), Rhenish Tavern (1833), Don Quixote (1834), Scene from Shakespeare's Henry V. (1839), Forest Smithy (1841), National Gallery, Berlin; Till Eulenspiegel as Baker, Ravené Gallery., ib.; The Seasons, Primeval Forest in Brazil, Carlsruhe Gallery; Baron Münchausen relating his Hunting Adventures (1842), Kunsthalle, Hamburg; Scene from Till Eulenspiegel (1844), Königsberg Museum; Don Quixote and his Dulcinea (1858), Düsseldorf Gallery; Falstaff in Tavern (1859), besides other pictures of the same character; subjects from Münchausen and Till Eulenspiegel; Two Monks in Convent Cellar (1863); Hans Sachs (1866); and numerous illustrations for books.—Kunst-Chronik, xi. 289; Jordan (1885), ii. 210; Blanckarts, 93; Nagler, xvi. 24; Reber, ii. 239; Land und Meer (1875), ii. 935.

SCHRÖTER, KONSTANTIN, born at Schkeuditz, Prussian Saxony, March 21, 1795, died in Berlin, Oct. 18, 1835. Genre painter, pupil of Leipsic and Dresden Academies, and of Pochmann. Returned to Leipsic in 1819; lived by portrait painting until he took to genre, on advice of the elder Schnorr, and settled in Berlin in 1826. Works: Violin Lesson (1828), National Gallery, Berlin; Mother and Daughter Spinning; Auction of a Painter's Effects (1832); Jewish Family Resting (1834); Village School. (1835).—Jordan (1885), ii. 211; Nagler, xvi. 30.

SCHROTZBERG, FRANZ, born in Vienna in 1811. Portrait painter, pupil of Vienna Academy; influenced by Karl Markó. Visited Italy in 1837, Germany and Belgium in 1842, and later Italy again, Paris, and London. Very fashionable painter for many years; has been called the Austrian Winterhalter. Member of Vienna Academy; Franz Joseph Order. Works: Leda and Swan (1839), Vienna Museum; Empress Elizabeth of Austria, Duchess Therese von Würtemberg, Archduchess Mathilde of Austria (1867), New Pinakothek, Munich; and numerous other portraits.—Wurzbach, xxxii. 18; Müller, 478.

SCHTSCHEDRIN, SILVESTER FEDOROVICH, born in St. Petersburg in 1791, died at Sorrento in 1830. Landscape painter, pupil of St. Petersburg Academy under Ivanoff and Worobieff. Visited also Germany and Italy. Works: Colosseum, Lake Nemi, Hermitage, St. Petersburg.

SCHUBACK, GOTTLIEB EMIL, born in Hamburg, June 28, 1820. Genre painter, pupil in Munich of Cornelius and Heinrich Hess in 1836-42. Studied in Rome in 1847-48; settled in 1855 in Düsseldorf, where he was influenced by Jordan. Works: Portrait of the painter Günther Gensler (1854),