Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/132

 (1862), Madrid Museum; Market Square in Gerona, Fortune, Chance and Folly distributing their Gifts, Friend's Visit (1871); Mercury leading the Histrionic Arts; Apollo chasing Night; General Prim and the Catalonian Volunteers at Tetuan; Death of Churruca at Trafalgar; Portraits of Isabella II., Charles V., Alfonso V., Alfonso XII., Barcelona University. In fresco: Entry of Charles V. into Rome, Conquest of Fort of Goletta, Battle of Mühlberg, Visit of Francis I. to Charles V., Alcázar, Toledo.—La Ilustracion (1881), i. 298; Meyer, Conv. Lex., xx. 852.

SANT, JAMES, born in London in 1820. Figure and portrait painter, pupil of John Varley, and student in 1840 of Royal Academy. Very successful as a painter of portraits, especially of children; elected an A.R.A. in 1861, and R.A. in 1871. In 1872 he was appointed principal painter in ordinary to the Queen. Among his sitters have been the Queen, Prince Albert, children of the Prince of Wales, and other members of the royal family, and many of the nobility. Other works: Children in the Wood (1854); Fortune Teller (1855); Infancy (1857); Little Red Riding Hood (1860); First Source of Sorrow (1862); Taking Notes (1863); Turn again Whittington (1864); Light in Dark Places (1866); Mentonese Children (1869); Alone (1870); Schoolmaster's Daughter (1871); Peaches (1874); Early Post (1875); Gleanings (1877); Little Zàra (1878); Adversity (1879); Maidenhood (1882); Love-Birds (1883); Sylvia (1884); Forget-me-not (1885); Portrait of Adelina Patti (1886).

SANTA CONVERSAZIONE, Palma Vecchio, Naples Museum; wood, H. 2 ft. 10 in. × 6 ft. 6 in. The Virgin seated on a knoll, with farm in distance; Jesus gives his blessing to a couple whose heads and arms are seen at edge of picture as they approach the knoll and are introduced by St. Jerome; to the left, St. John Baptist on one knee; St. Catherine near the trunk of a tree. One of Palma's best; shows Titianesque vigour and richness. Formerly in Casa Barberigo, San Polo.—C. & C., N. Italy, ii. 470.

By Palma Vecchio, Vienna Museum; wood, H. 4 ft. 2 in. × 6 ft. 3 in. The Virgin, resting at foot of a tree, presents Jesus to SS. Catherine, Celestin, John Baptist, and a female Saint. Probably picture formerly belonging to Galia di Fano, Venice.—C. & C., N. Italy, ii. 471.

SANTA CROCE. See Francesco and Girolamo da Santa Croce.

SANTA FAZ. See Ecce Homo, Murillo.

SANTAFEDE, FABRIZIO, born in Naples about 1560, died there in 1635. Neapolitan school; son and pupil of Francesco Santafede; afterwards pupil of Francesco Curia, and then visited Rome, Bologna, Venice, and Florence to study the great masters. Employed in considerable works on return to Naples. It is said that when Naples was sacked by the insurgents under Masaniello (1647), two halls which Santafede had painted were spared, out of respect for the artist. Works: Madonna with Saints (1595), Naples Museum; Holy Family, Hague Museum, and pictures in churches. Fabrizio was the master of Massimo Stanzioni.—Ch. Blanc, École napolitaine; Siret, 829.

SANTAFEDE, FRANCESCO, flourished about 1555. Neapolitan school; pupil of Andrea da Salerno. Works in churches in Naples, among the best being the Coronation of the Virgin, in S. M. la Nuova (though some ascribe this to Fabrizio, his son); and Resurrection, Chapel of the Monte di Pietà.—Ch. Blanc, École napolitaine.

SANTERRE, JEAN BAPTISTE, born at Magny (Seine-et-Oise), Jan. 1, 1658, died in Paris, Nov. 21, 1717. French school; genre and portrait painter, pupil of François Lemaire and of Boullogne the elder. Painted his St. Theresa for Louis XIV. and obtained a pension, and for his Susanna was made Member of the Academy, 1704. Works: Susanna Bathing (1704), Louvre; Marie Adelaide of Savoy, Louise Adelaide d'Orléans (2), The Regent and Madame de Parabère, Versailles Museum; St. Theresa