Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/131

 SANDHAM, HENRY, born in Montreal, Canada, May 24, 1842. Landscape and genre painter; visited England and France for study in 1880 and in 1884. Member (1880) of Royal Canadian Academy. Studio in Boston, Mass. Works: Fog in St. John Harbor (1879), National Gallery, Ottawa; Cow Bay—Nova Scotia (1880), George Hague, Montreal; Return from the Hunt (1882), Judge O'Hara, Toronto; Dawn of Liberty—Battle of Lexington (1885). Historical Society, Lexington, Mass.

SANDRART, JOACHIM VON, born in Frankfort, May 12, 1606, died in Nuremberg, Oct. 14, 1688. German school, history and portrait painter. He went to Prague, in 1621, to study engraving under Sadeler, but advised by the latter to devote himself to painting, he repaired to Utrecht and became pupil of Gerard Honthorst, who took him to England. There he saw great works by Titian, and after having painted several portraits, went to Venice in 1627 to study Titian and Veronese. In Rome he painted Pope Urban VIII., and was one of the twelve masters selected to paint a picture for the King of Spain. He returned to Germany in 1635, went to Amsterdam in 1637, and to Nuremberg in 1649 to paint the envoys to the Congress of Peace. At Augsburg he worked for the Elector Maximilian of Bavaria, and the Emperor Ferdinand in 1672, and in 1674, after a second marriage, settled in Nuremberg, where he became the main pillar of the Academy founded in 1662. His reputation rests chiefly upon his well-known "German Academy," written in 1675-79. Works: Archers' Company (1638), Portrait of the Poet Hooft, four others (1639, 1641), Amsterdam Museum; Young Man with Dead Horse, Old Woman in Prayer, Bamburg Gallery; Isaac blessing Jacob, Aschaffenberg Gallery; Banquet of Peace (1650), Town Hall, Nuremberg; The Twelve Months (12), two Portraits, Munich Gallery; Minerva and Saturn (1644), Archimedes (1651), Vienna Museum; Apollo rejoicing over Defeat of Python, Uffizi, Florence.—Ch. Blanc, École allemande; Kramm, v. 1440.

SANDYS, FREDERICK, born in Norfolk in 1832. Figure and portrait painter; paints portraits chiefly, but some ideal works of exquisite finish. Exhibited first at Royal Academy in 1854. Works: Oriana (1861); King Pelles' Daughter, La Belle Ysonde (1863); Morgan-le-Fay (1864); Gentle Spring, Cassandra (1865); Mary Magdalen, Flower (1866); Medea (1869, Paris Exhibition, 1878); Perdita (1879).

SAN GIORGIO, EUSEBIO DI, born about 1478, died in 1550 (?). Umbrian school; pupil in school of Perugino at same time with Manni; made free of his guild in Perugia immediately after Pinturicchio, whose style he imitates in its least interesting features, while his colouring is like Manni's. He aided Pinturicchio at Siena. His Adoration of the Magi (1505), Perugia Gallery, has a tinge of the Raphaelesque, and has even been attributed to Raphael. Two frescos, the Annunciation, and St. Francis receiving the Stigmata (1507), are in S. Damiano, near Assisi; and there is a Holy Family (1512) in S. Francesco, Matellica.—C. & C., Italy, iii. 339; Burckhardt, 574; Siret, 829; Ch. Blanc, École ombrienne.

SANO DI PIETRO. See Ansano.

SANS Y CABOT, FRANCISCO, born in Barcelona in 1834, died in Madrid, May 5, 1881. History painter, pupil of Barcelona Art School, and in Paris of Couture; member of S. Fernando Academy, director of the Museum; painted frescos in many palaces and public buildings. Medals: 2d class, 1860, 1862; 1st class, 1871. Works: Prometheus, Shipwreck, End of Carnival (1857); Battle at Wad Ras; Liberty and Independence (1860); Episode in Battle of Trafalgar