Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/88

 Education of Achilles (1769), Château of Vincennes; Visitation (1769), Bayonne Cathedral; Narcissus changed into the Flower (1771), Trianon; St. Louis rendering Justice under an Oak at Vincennes (1773); Piety of Fabius Dorso (1781), Chartres Museum; Resurrection (1781), Cathedral, Châlon-sur-Saône; Zeal of Mathathias (1783); Farm Yard, formerly in the Louvre; Spinning Woman, Portrait of a Young Painter, Orléans Museum; Female Head, Nantes Museum; The Sister, Historical Society, New York.—L'Art (1876), iv. 211; Bellier, i. 1013; Ch. Blanc, École française, ii.

LE POITTEVIN, EUGÈNE (MODESTE EDMOND), called Poidevin born in Paris, July 31, 1806, died there, Aug. 6, 1870. Landscape and genre painter, pupil of École des Beaux Arts and of Louis Hersent. Travelled much on the Continent and in England. His first picture, The Harvesters (1826), was bought by the Duchesse de Berri. Medals: 2d class, 1831; 1st class, 1836; 2d class, 1848; 3d class, 1855; L. of Honour, 1843; member of the Antwerp and Berlin Academies. Works: Normandy Courtyard (1830), Orléans Museum; The Thames, A Stable (1831); Low Tide, On the Scotch Coast (1833); Rescuing Scene (1834), Nantes Museum; Battle at Wertingen—1805 (1835), Versailles Museum; Fishermen saving a Wreck (1836), Leipsic Museum; Normandy Fishermen, Flemish Cottage (1836); Souvenir of Belgium, Return of the Fishermen (1837); Ice, Behind the Downs, Red Cap (1838); Shipwreck (1839), Amiens Museum; Adrian van der Velde landing at Blankenberg (1840); Gulf of Naples (1841); Naval Battle at Embro—1346 (1841), Taking of Baruth—1109 (1844), Versailles Museum; Villa d'Este, Blue Grotto at Capri (1842); Adriaan Brouwer painting Sign at an Inn (1843), New Pinakothek, Munich; Van der Velde sketching during a Battle, Fossoyeur and his Children (1843); Stroke of the Spur (1845); Education of Achilles (1846), Ravené Gallery, Berlin; First Wound (1847); No Smoke without Fire, Honeymoon (1848); The Party-Wall (1849); The Shepherd and the Sea, The Cask of Cider (1850); Pirates, Friends of the Farm (1852); Right of the Strongest, Monks of the Cape (1853); Winter in Holland (1855); Winter, Hedge School (1857); Dutch Pilots, Cottage in Normandy (1859); Pleasures of Summer (1861), Cambrai Museum; Country Doctor, Fishing on the Ice, Future Painter of Still Life (1861); Cinderella's Dream (1864); Monks of the Cape (1865); Souvenir of Scheveningen (1866); Shipwreck in Polar Sea (1867); Delicate Attention, Gathering Potatoes (1868); Breaking Ice (1868), Angers Museum; Environs of Étretat (1870), formerly in Luxembourg Museum; Fort de l'Œuf, Marseilles Museum; Landscape, J. J. Astor, New York; Seaside Life, C. H. Wolff, Philadelphia; Dutch Market on the Ice, W. Mason, Taunton.—Art Journal (1870), 308; Bellier, i. 1014; Hamerton, Painting, 52.

LE PRINCE, A. XAVIER, born in Paris, Aug. 28, 1799, died at Nice, Dec. 24, 1826. Genre and landscape painter; studied Cuyp, Adrian van de Velde, and nature. Works: Embarkation of Cattle at Honfleur (1823), Pass of Susten in Switzerland (1824), Louvre; Landscape,