Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/79

 (1880); Fisherman's Wife (1883); Rebecca and Eleazar; Ruth and Boaz; Snake-Charmer; Counting his Gains, Too Much Burgundy (water-colours), Cook's Bargain, Miss C. L. Wolfe, New York; After the Supper one must Pay, J. H. Stebbins, ib.; Return from Hunting, J. J. Astor, ib.; Grandfather's Birthday, O. D. Munn, ib.; Spanish Lady and Canaries (water-colours), F. Harper, ib.; Lady playing the Flute (water-colours), Charles Stewart Smith, ib.; Dressing the Dog (G. I. Seney sale, ib., 1885); Grandfather's Pet, G. Whitney, Philadelphia; Playing the Guitar, W. B. Bement, ib.; Temptation of St. Anthony, H. L. Dousman, St. Louis; Odalisque (water-colours), S. A. Coale, ib.; Kitten-Merchant, Charles Parson, ib.; Bouquet, Daniel Catlin, ib.—Claretie, Peintres, etc. (1884), ii. 225; Montrosier, i.; Larousse; Müller, 330.

LELOIR, (JEAN BAPTISTE) AUGUSTE, born in Paris, July 1, 1809. History and genre painter, pupil of Picot and of the École des Beaux Arts. His earlier works (before 1842), which rival David's in excellence of design, and Gros' in beauty of colour, are superior to later ones. Has executed decorative works in St. Germain l'Auxerrois and St. Merri, Paris, at St. Jean, Belleville, and St. Leu, Tavernay. Medals: 3d class, 1839; 2d class, 1841; L. of Honour, 1870. Works: Ruth and Naomi, Parable of the Virgins (1835); Good Angel, St. Cecilia, Marguerite in Prison (1839); Young Peasants at the Foot of the Via Sacra, Homer (1842); Lord's Supper (bought by State); Christian Family delivered to Wild Beasts; Christ and Samaritan Woman; All-Hallow Eve; Christians in Catacombs, Athenian Captives in Syracuse, Virgin and St. John after Death of Christ (1855); Departure of Young Tobias (1857); Daphnis and Chloë (1863); Sappho at Cape Leucadia (1864); Joan of Arc in Prison (1865); Magdalen at the Tomb (1866); Saint Vincent (1868); Joan of Arc as a Child (1869); Nysa (1870); Young Lady of the Castle (1872); Spring-*time (1873); Marriage of the Virgin (1874); Martyr in Coliseum (1876); Holy Family (1877); Horace at Tibur (1878); Rinaldo and Armida (1879); Silenus (1880); Mignon (1881); Maiden Martyr, Leland Stanford, San Francisco.—Bellier, i. 988; Müller, 330; Vapereau (1880), 1133.

LELOIR, MAURICE, born in Paris, Nov. 1, 1853. Genre painter, pupil of his father, J. B. Auguste, and of his brother, Louis Leloir. Medal, 3d class, 1878. Works: The Marionettes (1876); Robinson Crusoe (1877); Voltaire's last Journey to Paris (1878), William Astor, New York; Last Sheaf (1882); In the Fields (1883); Toilet of the Fields, S. A. Coale, St. Louis.

LELY, Sir PETER, born at Soest in 1617, died in London, Nov. 30, 1680. Real name Peter van der Faes. Flemish school; portrait painter, pupil of Pieter de Grebber in Haarlem, but on coming to England with William of Orange, in 1643, he so closely studied the manner of Van Dyck, who had just died, that his earlier portraits often approach the great master's style. For thirty years he was the most popular portrait painter in England, and amassed a large fortune; nominated court-painter and knighted by Charles II. His portraits are of elegant conception, clear and warm colouring; hands especially finely drawn. In his later period he degenerated; his treatment grew superficial, his colouring cold and heavy, the female portraits mannered, with the languishing expression of the eyes affected by the ladies of the time. Works: Dukes of Albemarle and Buckingham; Duchess of Cleveland, May Da