Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/78

 Vintagers, Wine-Press (1882); Wrestlers, Hunters Resting (1883); Watering-Place in Brittany, The Ass-Driver (1884); Excavators in Paris, Mussel-Beds at Mers (1885).—Bellier, i. 986; Bitard, 807; Müller, 329; Vapereau (1880), 1131.

LELEUX, ARMAND, born in Paris in 1818, died there in June, 1885. Genre painter, brother of Adolphe Leleux, and pupil of Ingres. His pictures of monastic life in Italy show great skill in the treatment of interiors, in regard to play of light and shade. Medals: 3d class, 1844; 2d class, 1847, 1848, and 1857; 1st class, 1859; L. of Honour, 1860. Works: Breton Scene, St. Jerome (1839); Return from Hunting (1840); Interior of Stable (1841); Studio (1842); Washerwoman at Fountain (1844); Gypsies (1845); Swiss Dance, Alpine Hunter (1846); Spanish Beggar Woman, Spanish Interior (1847); Smuggler, Haymaking (1848),	Grenoble Museum; Washerwomen (1849); St. Gothard Guide (1850); Swiss Woman Knitting (1853, bought by Napoleon III.); The Manola Dance, Swiss Fountain, Lovers in the Woods (1855); Harvest-Bouquet, Grandfather (1857); Girl Asleep, The Message (1859); Spoiled Child (bought by the State); Interior of a Studio, Musée Rath, Geneva; The Painter's Maid-Servant, Convalescent Girl, Marguerites, The Wheel-*wright's Family (1861), Lyons Society of Art; Wandering Singers in Rome, Dead Capuchin (1863); Interior of a Capuchin Pharmacy in Rome (1863), Luxembourg Museum; Game of Chess, Kitchen of Franciscan Convent in Rome (1864); Confession in a Convent (1865); The Notary (1866); Locksmith (1869); Consultation (1873); Protestant Marriage in Switzerland (1874), Luxembourg Museum; Duel without Witnesses (1874); Swiss Tavern (1875); Priest's Servant (1876); Letter of Recommendation (1878); Village School, Italian Maid (1880); Singing Lesson, Sunday Morning in Switzerland (1881); Andalusia, Tasting (1882); Two Friends, Covetousness (1883).—Bellier, i. 987; Bitard, 807; Müller, 330; Vapereau (1880), 1132.

LELIE, ADRIAAN DE, born at Tilburg, May 19, 1755, died at Amsterdam, Nov. 30, 1820. Genre and portrait painter, pupil at Antwerp of Peeters, a painter of ornaments, and of Quertenmont; also studied at the Academy, then for some time in Düsseldorf, and settled in Amsterdam. Works: Morning Visit (1796), Museum, Amsterdam.—Immerzeel, ii. 167.

LELIENBERGH, CORNELIS, flourished at The Hague about 1650-72. Dutch school; still-life painter; master of the guild at The Hague in 1646, and one of the founders of the new guild Pictura there in 1656. Works: Dead Birds, Hague Museum; Still Life (1652), Berlin Museum; Partridge and Turtle Dove (1654), Dresden Museum; Dead Rooster and Small Birds in a Pantry, Old Pinakothek, Munich; Hunting Booty (4, two dated 1661), Poultry for the Kitchen, Schwerin Gallery; Still Life (1671), Weimar Museum.—Kramm, iv. 962; Meyer, Gemälde der köngl. Mus. (1883), 236; Schlie, 341.

LELIO DA NOVELLARA. See Orsi, Lelio.

LELOIR, ALEXANDRE LOUIS, born in Paris, March 15, 1843, died Jan. 28, 1884. Genre painter, son and pupil of J. B. Auguste Leloir. Composition ingenious, and colouring excellent; later style not unlike that of Meissonier. Medals: 1864, 1868, 1870; 2d class, 1878; L. of Honour, 1876. Works: Massacre of Innocents (1863); Daniel in Lions' Den (1864); Jacob and the Angel (1865); Christening of Savages in the Canary Islands (1868); Temptation of St. Anthony (1869, Johnston sale, New York, 1876, for $2,100); Rallying (1870); Christening (1873); Slave (1874); Grandfather's Birthday (1875); Betrothal (1878); Fishery