Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/62

 Works: River in Rain, Summer Evening at Cheyne Walk (1871); Lament (1872); Pastoral (1873); Hop Gardens of England (1876); View from Don Saltero's (1877); Wet Moon—Old Battersea, Autumn Sun-*rise, Strayed, In the Valley (1878); Sun-*down, Old Battersea—Moonlight, Wet Moon, Morning Mist, 'Twixt Sun and Moon, Kent, Silver Mist, Golden Mist, Haunted Mill, Morning After (1879); Moonlight Pastoral, August Moon, Voice of the Cuckoo (1880); The Pool, Bardon Moors, Valley of Desolation, Wharfedale (1881); Blackdown—Surrey, Peach Blossom, Doone Valley, Storm Cloud, September, On Road to Monaco (1882). Mrs. Cecil (Constance) Lawson contributed to the Grosvenor Gallery in 1882 Provence Roses; in 1883 White Chrysanthemums, Poppies; in 1884 Almond Blossoms; and to the Royal Academy in 1884 Peonies, Chrysanthemums, Almond Blossoms.—E. W. Gosse, Memoir (London, 1883); Acad., June, 1882, 439; Athen., June, 1882, 770; Portfolio (1883), 185; Comyns Carr, Modern Landscape.

LAWSON, F. WILFRID, born in Shropshire, England; contemporary. Elder brother of Cecil Lawson. Genre painter; began as a designer for periodicals, especially The Graphic. Exhibits at Royal Academy and Dudley Gallery. Has painted a series of pictures illustrative of the Children of the City. Works: Street Arabs (1876); Imprisoned Spring (1877); Dawn (1878); Jesus at the House of the Pharisee (1881); A Day in the Country (1882); A Midway Inn (1884).

LAY, OLIVER INGRAHAM, born in New York in 1845. Portrait and genre painter, pupil of Cooper Institute, National Academy, and of Thomas Hicks in New York. Elected an A.N.A. in 1876. Studio in New York. Works: Window; Letter (1877); Two Friends, J. H. Sherwood, New York; Watching the Snow (1879). Portraits: John Delafield, Winslow Homer, C. C. Griswold, C. C. Colman, Miss Fidelia Bridges (property of the National Academy, New York); Miss Genevieve Ward (1882); Edwin Booth as Hamlet (1883).

LAYNAUD, ERNEST, born in Paris; contemporary. Landscape painter, son and pupil of François Louis Laynaud. Medal, 3d class, 1883. Works: Quai of Tréport, View at Tréport Harbor (1878); Rocks of Tréport, Harbor of Tréport (1879); Fish Market, ib. (1881); Canal Saint-Martin, Tréport at Low Tide (1882); do. (1883); The Seine at La Briche, Quai Corner at Honfleur (1884); Bassin de la Lieutenance, ib. (1885).

LAYNAUD, FRANÇOIS LOUIS, born in Paris; contemporary. History, genre, and portrait painter, pupil of Picot. Works: Misery (1835); Male Portrait (1836), Rouen Museum; Miracle of Loaves and Fishes (1842); Bishop Saint Brice giving Benediction at Tours (1844), Ministry of Interior, Paris; Saint Hilaire Bishop of Poitiers re-*entering his Diocese after long Absence (1846), ib.; St. Louis vowing to go to the Holy Land (1864), Town-hall, Pontoise.—Bellier, i. 934.

LAYRAUD, (FORTUNÉ) JOSEPH (SÉRAPHIN), born at Laroche-sur-Bois (Drôme), Oct. 13, 1834. History and portrait painter, pupil of Loubon and Cogniet and of École des Beaux Arts. Second prix de Rome, 1850; first, 1863; Medal, 2d class, 1872. Works: Sophocles accused by his Sons (1850); Joseph revealing himself to his Brethren (1863); Brigands and Captives (1872), British Museum; Marsyas (1872), Épinal Museum; Death of Agrippina, Diogenes (1881); Ines de Castro (1882); St. Sebastian (1883); Drove of Bulls at Porta del Popolo—Rome (1885).—Bellier, i. 934.

LAZARUS, RAISING OF, Garofalo, Ferrara Gallery; wood, H. 8 ft. 6 in. × 5 ft. 7 in. An excellent composition, with figures in two groups, accessories of landscape, and a sepulchre cut in the rock. Painted in 1534 for S. Francesco, Ferrara.—Vasari, ed. Mil., vi. 463; Ape italiana delle Belle Arti (Rome), i. 36.