Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/508

 *ground. Fruit by Snyders. In Rubens's catalogue after his decease (1640); afterwards in Collection of Joseph Bonaparte; taken to England about 1838; bought by the Queen in 1841.—Waagen, Treasures, ii. 2; Smith, ii. 34, 137; Jameson, London Gal., 39.

PYTHEAS, painter, of Bura, Achaia. Only known work a picture of an elephant on a wall at Pergamus.—Steph. Byzan., v.; Brunn, ii. 292.

QUADAL, MARTIN FERDINAND, born at Niemtschitz, Moravia, Oct. 28, 1736, died in St. Petersburg, Jan. 11, 1811. Genre, portrait, and animal painter, pupil of Vienna Academy; visited Germany, England, France, and Italy, lived in 1797-1804 in St. Petersburg, whither he returned after two years in London. Member of several Academies. Most of his works are in England and Russia. Works: Equestrian Portrait of Alexander I. (1804); Portrait of Klopstock; Model-Room at Vienna Academy (1787), Greyhounds with Booty (1784), Vienna Academy; Review of Joseph II.; Camp of Minkendorf; Allegory of Peace; Group of Lions; Game-Dealers; Boy with Dogs; Group of Cats; Tame and Wild Animals (1793).—Wurzbach, xxiv. 130; Zeitschr. f. b. K., xiii. 320.

QUADRONE, GIOVANNI BATTISTA, born at Mondovi, Piedmont, 1844. Genre painter, pupil of Turin Academy under Gamba and Gaetano Ferri; won all the prizes and went to Paris in 1868 to study under Bonnat and Gérôme; returned to Italy in 1870. Called by his countrymen the Italian Meissonier. Works: Poor Man; Disagreeable Day; Zoölogical Studies; Deceiver; The Model and Light Poetry (1878); Painter's Studio, Naturalist, Judgment of Paris, Rope Dancers (1880); Unpromising Meeting; Among Prisoners; Little Revenge; Virago.—Meyer, Conv. Lex., xviii. 804.

QUAGLIO, DOMENICO, born in Munich, Jan. 1, 1786, died at Hohenschwangau, April 9, 1837. Landscape and architecture painter, son and pupil of Giuseppe Quaglio, of a numerous family of artists who emigrated from Laino, near Lake of Como, to Bavaria in 17th century. The eldest was Giulio Quaglio (born in 1601), history painter, imitator of Tintoretto, worked in Vienna, Salzburg, and Laybach, where many of his altarpieces and fresco paintings are to be found. Domenico was at first a scene painter in Munich, then travelled extensively in Germany, the Netherlands, England, France, and Italy, and was among the first to reach in architectural painting the high standard of the famous Dutch masters. His last work was the restoration and decoration of Castle Hohenschwangau. Member of Munich, Berlin, Leipsic, and other Academies. Works: Ruin on Lake, Fish-Market in Antwerp (1824), Monastery Church at Kaisheim, Kiederich on the Rhine, Church at Boppard, Pfalzburg on the Rhine, National Gallery, Berlin; View of Frankfort (1832), Städel Gallery, Frankfort; Frauenberg Cathedral (1833), Königsberg Museum; Minster at Freiburg (1821), Leipsic Museum; Old Abbey at Rouen, Interior of St. Sebaldus at Nuremberg (1816), Old Gate of Salzburg Fortress (1815), Villa Malta in Rome (1830), Orvieto Cathedral (1831), Former Courtyard of Royal Palace in Munich (1826), Former Northeast Side of do. (1828), Residenz-Schwabinger Strasse, ib. (1826), Views in Munich (8, 1822, 1826, 1827, 1828, 1835), New Pinakothek, Munich; Forest Chapel (1817), Schleissheim Gallery; Views of City Hall at Louvain; Rheims, Worms, Cologne, and Ratisbon Cathedrals; Burg Eltz, Heidelberg Castle, Hohenschwangau, etc. By his brother Angelo (1778-1815): Landscape by Moonlight, Baptismal Procession approaching Gothic Church, New Pinakothek, Munich. His brother Lorenz (born in Munich in 1793), was a genre painter: Card Players in Tyrolese Inn (1824), National Gallery, Berlin. Simon (1795-1878), youngest brother of Domenico, excelled in water-colours; his sons, Angelo (born in Munich, Dec. 13,