Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/434

 Louis XIV. giving Presents to the Duchess of Burgundy (1864); Marie Antoinette in the Conciergerie (1868); Game of Vert-Vert; Interior of Saint Séverin; Marie Antoinette led to the Scaffold; St. Séverin's on Christmas Eve (1873); Communion of the Virgin (1879).

PELLEGRINO DA BOLOGNA. See Tibaldi.

PELLEGRINO DA CESENA. See Pellegrino da San Daniele.

PELLEGRINO DA MODENA, born in Modena in 1468 (?), died there, Nov. 20, 1524. Umbrian school; real name Pellegrino Munari or Aretusi; son and pupil of Giovanni Munari; mentioned as a skilful young painter in 1483. About 1509 he went to Rome and studied with Raphael, who employed him as his assistant at the Vatican. His work was so satisfactory that he was commissioned to paint frescos in S. Eustachio and in S. Giacomo degli Spagnuoli. Those in the latter church, representing the legend of St. James, still extant, are worthy in design and execution of a scholar of Raphael. On his return to Modena, Pellegrino painted in churches and other public buildings, but few of his works have survived. He was slain in a street quarrel by the friends of a man whom his son had killed. A Nativity by him is in the Modena Gallery.—Ch. Blanc, École ombrienne; Vasari, ed. Le Mon., viii. 246; x. 4, 357; ed. Mil., iv. 649.

PELLEGRINO PELLEGRINI. See Tibaldi.

PELLEGRINO DA SAN DANIELE, born in latter half of 15th century, died at San Daniele, Dec. 23, 1547. Venetian school; called also Martino da Udine; son of Battista da San Daniele (died before 1491), a Dalmatian painter resident in Udine, of whom no picture remains. In 1491, Martino was the partner of a goldsmith at San Daniele, and had contracted to decorate with frescos the Church of Villanuova. Probably studied under his father, and afterwards in Venice (1494), where he perhaps obtained the surname of Pellegrino from Giovanni Bellini. Painted for several years at San Daniele and Udine, but was obliged to leave for political reasons, and spent four years (1508-12), in Venice and Ferrara. Up to this time his style had been chiefly influenced by Cima, but after this his work shows a careful study of Giorgione. In 1512 he returned to Udine and painted thenceforth there and at San Daniele, where he decorated the Church of Sant' Antonio with frescos. This long and arduous task was not completed until 1522. Among his other works are the Madonna with Saints (1529), Santa Maria, Cividale; Glory of St. Joseph, Cathedral of Udine; Madonna with Saints, Collection of Prince Giovanelli, Venice; and Madonna enthroned with Saints, National Gallery, London. Duchesne, who calls him Pellegrino da Cesena, gives a list of 66 niellos by him.—C. & C., N. Italy, ii. 189; Vasari, ed. Le Mon., ix. 28; ed. Mil., v. 105; Hartzen, Kunstblatt (1853), No. 24; Duchesne, Essai sur les Nielles (Paris, 1826), 322; Lübke, Gesch. ital. Mal., ii. 583.

PELLETIER, LAURENT JOSEPH, born at Éclaron (Haute-Marne), in 1813. Landscape painter; appointed in 1845 professor at the school of design in Metz. He generally painted views of the Rhine and Northern France. Medals: 3d class, 1841; 2d class, 1846. Works: Bacharach, St. Goar, Coblentz (1840); Environs of Trèves, Losch, The Rhine, Environs of Épernay (1841); Valley of Sierck (1846); Souvenir of Savoy, Sunset on Edge of Forest, Entrance to the Woods, The Moselle (1848); Bad Weather, Pond (1852); and others (1857-78).—Bellier, ii. 225; Larousse.

PELLICER, JOSÉ LUIS, born in Catalonia; contemporary. Genre painter, pupil of Giuseppe Palizzi in Rome, where he closely studied popular life in Trastevere and in the Ghetto. Medal, 1871. Works: Nocturnal Hour; Governor of Arabia and Spanish Consul at Dizifut; The Charlatan; Lottery Prize; Montanara Square; Priest on