Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/428

 Salzburg in 1839. Animal and landscape painter, pupil of Vienna Academy, then in Carlsruhe of Schirmer, and in Zürich of Koller. Gold medal, 1873. Works: Foxes; Wounded Chamois; Rutting Time; Wood Interior, Vienna Museum; After the Fight; Stags Fighting; Deer in the Höllengebirge. His wife Rosalie paints pleasing genre pictures.—Müller, 409; Wurzbach, xxi. 380; Graph. K., i. 66; Kunst-Chronik. xix. 518; xx. 349; Meyer, Conv. Lex., xxi. 696; Illustr. Zeitg. (1882), i. 387.

PAUSON, painter, of Athens, probably near the beginning of the 4th century b.c. Aristotle says (Poet., 2, 2) that he delighted in painting what was defective or repulsive in men, from which we infer that he was a painter of caricatures.—Aristoph. Acharn., 854; Plut., 602.

PAUWELS, FERDINAND, born at Eckeren, near Antwerp, April 13, 1830. History painter, pupil of Antwerp Academy in 1842-50, under Dujardin, then of Wappers; won the grand prix de Rome in 1852; spent four years in Italy, where he painted several biblical subjects; visited Dresden, and on his return to Antwerp took up successfully subjects from local history. In 1862-72 he was professor at the Art School in Weimar; returned to Antwerp, and in 1876 became professor at the Dresden Academy. Gold medals, 1857, 1864, 1868; Order of Leopold, 1861. Works: Balduin and his Daughter Joanna (1851); Coriolanus persuaded by his Mother (1852); Deborah as Judge over Adultery; Rizpah watching over the Bodies of her Sons (1856); Miracle of St. Eugenia, Calling of St. Clara (1859); Jacob van Artevelde's Widow (1860), Brussels Museum; Salvation of Levyn Pyn (1862), Corcoran Gallery, Washington; Return of Exiles to Antwerp (1863), H. O. Mühlberg, Berlin; Louis XIV. receiving Delegation of Genoa (1864), Maximilianeum, Munich; Burghers of Ghent before Philip the Bold (1865); America abolishing Slavery, Persecution of Protestants in the Netherlands (1868), Königsberg Museum; Queen Philippine assisting the Poor at Ghent (1866); Visit of Count Philip of Alsace to Hospital of St. Mary at Ypres (1877), Dresden Museum; Admonition, Leipsic Museum; Frescos in Luther's House at the Wartburg; Joanna of Flanders liberating Prisoners at Ypres in 1214 (Jubilee Exhibition, Berlin, 1886).—Kaulen, 234; Riegel, D. Kunststud., 425; Zeitschr. f. b. K., ii. 186.

PAX VOBIS, Raphael, Count Tosi, Brescia; wood, H. about 1 ft. 4 in. The risen Christ, with red drapery round the body and on the right shoulder, and crown of thorns upon his head, raises one hand in benediction, and points with the other to wound in his side. Probably painted in 1505. In good preservation. Belonged formerly to the Mosca family at Pesaro. Engraved by L. Gruner.—Passavant, ii. 32.

PAYER, JULIUS VON, Ritter, born at Schoenau, near Teplitz, Bohemia, Sept. 1, 1842. History painter, pupil at the Städel Institute, Frankfort, of Hasselhorst, and at the Munich Academy of Alexander Wagner; having taken up painting after his return from the second Austrian north-pole expedition (1872-74), he achieved a marked success, even with his first work: Starvation-Cove (Bay of Death, 1883), representing the end of the Franklin expedition, the principal phases of which he intends to depict in a series of four paintings. In 1884 he went to Paris to continue his studies under Munkácsy. He is commissioned to paint, for the Museum of Natural History in Vienna, two views of Francis Joseph-Land in the polar region explored by him. Great gold medal, Munich, 1883; gold medal, Berlin, 1886.—Allgem. K. C., viii. 601; Brockhaus, xii. 767; Kunst-Chronik, xix. 110, 123, 157; xx.