Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/425

 Museum; Madonna, Darmstadt Museum; Christ on the Cross, Old Pinakothek, Munich; Martyrdom of St. Sebastian, Germanic Museum, Nuremberg; Baptism of Christ, Repose in Egypt (2), Martyrdom of St. Catharine, St. Jerome, Battle of Pavia (?), Museum, Vienna; Christ on the Cross, St. Jerome, Liechtenstein Gallery, ib.; do., Wiesbaden Gallery.—Kramm, v. 1258; Kugler (Crowe), i. 122; Ch. Blanc, École flamande; Rooses (Reber), 115; Van den Branden, 112; Zeitschr. f. b. K., xxi. 93.

PATON, Sir JOSEPH NOEL, born in Dunfermline, Scotland, Dec 13, 1821. History painter, first instructed in art by his father, who had been a pupil of Andrew Wilson; employed in drawing designs for damask fabrics until twenty years old, when he went to London and became a pupil in Royal Academy schools. In 1845 his Spirit of Religion gained one of the three prizes at the Westminster Hall competition, and in 1847 his Christ bearing the Cross, and Reconciliation of Oberon and Titania (National Gallery, Edinburgh) won the prize of £300 at a similar competition. He became a member of the R.S.A. in 1850, and settled permanently in Edinburgh in 1857; in 1866 he was appointed Queen's limner for Scotland, and in 1867 was knighted. Works: Dead Lady (1854); Pursuit of Pleasure (1855); Home (1856); Hesperus, In Memoriam (1857); Sir Bertram's Dirge (1859); Silenus Singing, Entombment, Gethsemane (1860); Luther at Erfurt (1861); Death Barge of King Arthur (1865); Mors Janua Vitæ (1866); Fairy Raid (1867); Faith and Reason (1871); Oskold and the Ellé Maids (1873); Man of Sorrows (1875); Spirit of Twilight, Christ the Great Shepherd (1876); Man with the Muck Rake (1877); Lux in Tenebris (1879); Faith arming the Christian Warrior. Sir Noel made the cartoons for the glass of the great window of Dunfermline Abbey, restored by Andrew Carnegie, of New York, in 1884. He is also a learned archæologist, a sculptor, and a writer of both prose and poetry.—Art Journal (1881), 78; Meynell, 52.

PATROIS, ISIDORE, born at Noyers (Yonne) in 1815. Genre and history painter, pupil of Lenfant and Monvoisin. While his early pictures of Russian life are characteristic and vigorous, those of historical subjects painted at a later date are better in the details than in the ensemble. Medals: 3d class, 1861, 1863, 1864; L. of Honour, 1872. Works: Procession of the Holy Images in St. Petersburg (1861), Luxembourg Museum; Joan of Arc taken Prisoner (1864), Orléans Museum; Joan of Arc led to the Stake (1867), Rouen Museum; A Friend's Troubles, The Bond (1868); Russian Girls Reading, Russian Girls Talking; Russian Girls with Fruit (1874); New Wine; The Visit; Young Mother, Mrs. Maynard, Boston; In the Garden, Friendly Judge (1876); Visit, First Suspicion (1877); The Betrothed in Russia (1880); The Ball of Wool (1881), Two Children warming themselves, Fodor Museum, Amsterdam.—Bellier, ii. 218; Claretie, Peintres, (1874), 331; Müller, 408.

PAUDITZ (Paudiss), CHRISTOFFER, born in Lower Saxony about 1618, died at Freising, Bavaria, in 1666. German school; history, genre, and portrait painter in manner of Rembrandt, perhaps his pupil; court painter to the Bishop of Freising. Works: Lady and Gentleman at a Table in Consultation, Bust Portrait of Old Man (1654), Male Portrait (1689)., do., Dresden Gallery; St. Jerome (1664), Marauder (1665), Male Portrait (1660), Peasant resting and Boy, Portrait of Young Man, Vienna Museum; Still-Life (1660), Hermitage, St. Petersburg; Wolf devouring